REVIEW: Late Night [2019]

You’re a little old and a little white. You can imagine how this film would have gone had a white male wrote it. The affirmative action jokes would play strictly for laughs rather than poignant introspection. The strong woman television host would use masculine tropes to service her goals rather than understand that a double standard can’t be weaponized in ways that end up affirming said double standard. And the idea that the fish-out-of-water newcomer entering the fray to shake the status quo could potentially date the “hot” co-worker would…

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REVIEW: Ocean’s 8 [2018]

Hims are noticed. Hers are ignored. The best way to reboot a franchise is via a sequel. It’s smart because of the connection whether it be setting or characters since familiarity allows us as viewers to settle in without having to relearn what the property intrinsically contains. Look at Creed—or to a lesser extent Star Wars: The Force Awakens—for the perfect example of how something like this works. Both are practically carbon copies of the original installments within their respective franchises and trade on nostalgia to place a new generation…

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REVIEW: A Wrinkle in Time [2018]

Love is the frequency. While waiting outside the bathrooms after A Wrinkle in Time finished, I saw a white couple with their two young, fair-haired daughters walking out of the theater. Mom and Dad were explaining to one how movies are interpretations. They were reminding her that she had an idea of what the characters looked like while reading and now Ava DuVernay showed hers onscreen. The girl looked up and said, “Yeah. Most of them were blonde in the book.” They went out of earshot soon after, just as…

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REVIEW: Inside Out [2015]

“I call it the Happy Core Memory Development Program” The simplest ideas really are the greatest and Pixar’s made a legacy built on just such an ideal. They brought toys to life as living companions caring for our children. They humanized the monsters in our closets, conjured a spark of love in the circuitry of a tiny robot, and gave an old curmudgeon tired of too much loss the opportunity to rediscover the joy of living. So it wasn’t a surprise when the germination of Inside Out was announced on…

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REVIEW: This is the End [2013]

“Is the power of Christ compelling me? Is that what’s happening?” Way back in 2007 there was a YouTube trailer for a short film entitled Jay and Seth Versus the Apocalypse that whetted fans’ appetites only to never seen by the public. Time went on, nothing appeared to be happening—which wasn’t necessarily a horrible thing since the trailer wasn’t all that funny—and eventually word came down it was being retooled by the titular Seth Rogen and writing partner Evan Goldberg into their directorial debut This is the End. Now six…

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REVIEW: The Five-Year Engagement [2012]

“The Taxman waits for no one” Writer/actor Jason Segel and writer/director Nicholas Stoller have been working with each other for years now, both cementing their membership in Judd Apatow‘s comedic entourage on “Undeclared”. It was their first cinematic collaboration—Forgetting Sarah Marshall—however, that put them on the map as a creative team worth keeping in the recesses of your mind for light bulbs of clarity to illuminate when hearing their names in trailers. The film was a perfect mix of charm, hilarity, and crude behavior that was sadly unmatched with Stoller’s…

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