REVIEW: Ich seh, Ich seh [Goodnight Mommy] [2015]

“She’s not our mom” It’s difficult to tell if Severin Fiala and Veronika Franz‘s Ich seh, Ich seh [Goodnight Mommy] fails at hiding its secret or if I’ve simply watched too many psychological thrillers to stop myself from breaking through their subterfuge for the truth. Either way, I knew what was happening about ten minutes into the film. I blame my not understanding German and thusly reading subtitles—losing the nuance of unencumbered viewing devoid of the text constantly stealing my attention and giving pause. The way Lukas (Lukas Schwarz) and…

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REVIEW: Resolution [2013]

“They said they were researching folktales” ***Possible Spoilers*** Films like Justin Benson and Aaron Moorhead‘s Resolution can’t help but get under your skin and risk never letting go. Any issues you may have about production quality, plot holes, pacing, and performances fall away because of one genius detail planting the seeds of curiosity. Then, when you attempt to discover answers, inspiration, or whatever else might help shine a light on exactly what these filmmakers created, the rabbit hole opens wider to reveal an internet puzzle still intact today courtesy of…

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REVIEW: Redlands [2014]

“I want to push beyond reality and become immortal through art” As an art-house piece, AMOK Books founder/owner John Brian King‘s debut feature film Redlands is pretty much what you’d expect from someone who’s curated an exhibit of John Wayne Gacy‘s “clown” paintings, produced an S&M performance entitled “Nailed!”, and interviewed Charles Manson at San Quentin Prison. It’s a darkly serene drama focusing on an outgoing Ohio girl trying to jumpstart a nude modeling career in California by confidently showcasing its naïve starlet amongst a slew of misogynistic males within…

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The 85th Oscars recap through tweets …

@jaredmobarak • and the #Oscars begin … #[email protected] • SUCCESS!! Tommy Lee Jones smiles! #[email protected] • poor Don Cheadle #Oscars13 Welcome to the 85th annual Academy Awards from the newly renamed Dolby Theatre. Bankruptcy is a drag, ain’t it Kodak? Hopes were high after host Seth MacFarlane‘s surprisingly hilarious Ted made me wonder if the dude wasn’t the real deal after all. A poor man’s Ricky Gervais, the Academy was probably wise in going for the watered-down Americanized version of unbridled snark because one would think the “Family Guy” creator…

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Top 25 Films of 2012

(short and sweet and to the point; culled from watching ~140 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: End of Watch directed by David Ayer #24: Amour directed by Michael Haneke #23: Moonrise Kingdom directed by Wes Anderson #22: How to Survive a Plague directed by David France. #21: Prometheus directed by Ridley Scott. #20: Antiviral directed byBrandon Cronenberg #19: Skyfall directed by Sam Mendes. #18: Wreck-It Ralph directed by Rich Moore. #17: The Best ExoticMarigold Hotel directed by…

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Picking Winners at the 85th Annual Academy Awards

Supporting Actress:Amy Adams: The MasterSally Field: LincolnAnne Hathaway: Les MisérablesHelen Hunt: The SessionsJacki Weaver: Silver Linings Playbook William Altreuter: It often seems to me that the Best Supporting categories are where the most interesting things are to be found in the Academy Award nominations, and this year is proving me right. What we often get—especially with Best Actress in a Supporting Role—are performances that really carry the movie, even though we tend not to notice. We also get actresses showing us what they can do against type, and that display of craft and professionalism is frequently rewarded. The…

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REVIEW: Amour [2012]

“Promise me one thing.” For someone as famously attuned to the intellectual thriller oftentimes leaning towards the hidden recesses of humanity’s darkest proclivities, seeing writer/director Michael Haneke‘s name attached to the universally lauded Amour was always a bit of a puzzle. Depicting the final months in the lives of two eighty-year old former music teachers—Georges (Jean-Louis Trintignant) and Anne (Emmanuelle Riva)—after the lady of the house suffers a debilitating stroke, the film’s rather heartbreaking portrayal of sacrifice and unwavering adoration is without a doubt an aberration in the auteur’s oeuvre.…

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Posterized Propaganda December 2012: A Cinematic Library with ‘Django Unchained’, ‘The Hobbit,’ ‘Les Miserables’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Here we are at the end of 2012, ready for the release of the last few Oscar. It’s a time where story generally triumphs over mainstream appeal and where the…

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The 82nd Oscars recap through tweets …

@jaredmobarak • NPH in sequins … i guess that’s something … The 82nd Annual Oscars ceremony begins, yet the hosts are nowhere to be found. Have we gotten to the point now where we need a lead-in for the most assuredly lame/very PC stand-up routine? We need to get the ball rolling for the ball that gets the show rolling? And they wonder why it always goes over its allotted timeslot. So, not only do we have to be introduced to all the lead acting nominees—because anyone watching doesn’t know…

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REVIEW: Peeping Tom [1960]

“He won’t be doing the crossword tonight” The Criterion Collection has always been at the forefront of delivering the general masses with contemporary classics for years now. Some may question the selection process and a few mainstream hits being graced with the askew ‘C’, but I do believe they should be given the benefit of the doubt. When it comes to Michael Powell’s psychological horror film Peeping Tom, I do think they have chosen a piece of work that, while it may not be great cinema, is important to the…

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Top Ten Films of 2009: Foreign Films Reign Supreme

This list is accurate as of post-date. So many films and not enough time to see them all, the potential for future change is inevitable, but as of today here are the best … Another year gone, another 100+ releases down. 2009 was one that included a lot of good directors and some great ensemble pieces. Out of all the inclusions to my top ten, plus honorable mentions, only three really contained a central figure worthy of mention above the work itself; the others truly were complete packages consisting of…

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