Cut the bad weeds. It’s as though Roxy (Paula Luna) is standing at the gates of Heaven, being judged for what transpired during life on After Blue—a new planet devoid of computer screens post-Earth’s cultural destruction. Do we ever see the God she’s relaying her tale too? No. Or perhaps we are that God, judging her actions against whatever criteria we have in our own unprompted minds. The latter makes sense considering writer/director Bertrand Mandico operates under the cinematic Incoherence Manifesto that he co-wrote Katrín Ólafsdóttir. He “has faith in…
Read MoreTIFF21 REVIEW: Paradis sale [After Blue] [2022]
