REVIEW: I Don’t Feel at Home in This World Anymore [2017]

“That’s how hard I threw it” There’s one specific thing differentiating actor Macon Blair‘s directorial debut I Don’t Feel at Home in This World Anymore from the works of usual collaborator Jeremy Saulnier: comedy. Don’t tell me I’m wrong because the latter director shows his funny bone in Murder Party—I haven’t seen it. I’m not even saying Blue Ruin and Green Room aren’t without some effective humor in their own right either, just that Blair seems to have taken what he learned from those sets and infused it with his…

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REVIEW: Seeking a Friend for the End of the World [2012]

“You were the love of my life” It’s easy to conjure images of post-apocalyptic wastelands, cryptic symbolism, and philosophical ruminations when one thinks about the end of the world. Hollywood uses this fascination to create science fiction actioners and depression-laden dramas each decade even though the layperson would never fall into such over-the-top cliché. Most John Q. Publics would let loose, create some sort of last minute bucket list, and live without consequence after years of cautious sacrifice and regret. Despite inevitable riots, chaos, and crime, one shouldn’t ignore the…

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REVIEW: The Perks of Being a Wallflower [2012]

“We are infinite” Adolescent tomes depicting the trials and tribulations of high school are many; the ones infused with psychological trauma and bouts of depression their majority. But while most find the need to talk down to audiences by over saturating themselves in comedic anecdotes rather than humanity, it’s the rare instance of authenticity that speaks to you. It’s not because you too were damaged and friendless, but merely because you understand. We’ve all coped with the struggle of starting fresh at a new school with a foreign curriculum, acquaintances…

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REVIEW: Win Win [2011]

“We have kids, Mike. I’m not taking chances with Eminem down there.” Just when I finally catch Thomas McCarthy’s debut film, The Station Agent, and deem it the touchtone all his other work will be compared towards, he one-ups himself with Sundance fave Win Win. Delving into the human psyche and second chances once more, his newest may be his most palatable. The cast is a bit more recognizable at its present, while still holding to indie stars, and even though the subject matter may be a fringe topic like…

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TIFF09 REVIEW: Up in the Air [2009]

“I’m like my mother, I stereotype—it’s faster” I’ll get it out right now: I have a soft spot for director Jason Reitman. I felt his debut Thank You for Smoking lived up to expectations and his sophomore effort Juno was my first ever screening at the Toronto International Film Festival, allowing me to experience something fresh and unique before becoming a breakout phenomenon. So, on the basis of nostalgia, as well as talent, my friend and I had to see if he could finish out the hat trick with Up…

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REVIEW: Away We Go [2009]

“Do the preggo shuffle” I love Sam Mendes; I’ll say that now. What else do I love? Comedies with indie quirk. And that leads me to Away We Go, a film that embodies the genre completely as evidenced by the trailer with its awkward laughs, (I stapled the itinerary to your coat? Really?), and “cool” soundtrack, I must have absolutely loved it … right? Wrong. I know I should, I know that people all around me are showering it with praise, but besides the final thirty minutes—‘Away to Montreal,’ ‘Away…

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