REVIEW: Captain Phillips [2013]

“A little air might do him some good” Despite my affinity for director Paul Greengrass‘ entries to the Bourne Saga, his cinéma vérité style will always in my opinion be better suited for gritty, true-life tales such as the contemporary classics Bloody Sunday and United 93. (We’ll just forget Green Zone ever squeezed its way into his oeuvre.) As a result, his attachment to Richard Phillips‘ harrowing tale of getting hijacked by Somali pirates and subsequently kidnapped as a hostage for ten million dollars was a perfect marriage from the…

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REVIEW: Pacific Rim [2013]

“She’s starting to chase the rabbit” After watching two spec scripts get sold and ultimately fall through, Clash of the Titans scribe Travis Beacham finally breaks into Hollywood with an original vision in Pacific Rim. A futuristic look at our world on the cusp of annihilation by the claws of an alien species entering our realm via a wormhole over an underwater rift in our Earth’s crust, his tale is as close to a live action anime as we’re likely to get—complete with kaiju and mecha warriors fighting to rule…

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REVIEW: Redbelt [2008]

“There’s always an escape” David Mamet is back with his new film Redbelt. After four years away from Hollywood, producing the television show “The Unit,” Mamet has followed up his solid thriller Spartan with a drama of intelligence that only he can capture. Complete with the trademark, metered language—every word timed and delivered with precision—this tale may be billed as a mixed martial arts actioner, but it is so much more. The sport itself lends heavily to the plot for sure, but rather than with its moves and choreography, it…

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