REVIEW: The Lion King [1994]

Remember who you are. The sun rises at the screen’s bottom as Lebo M. is heard singing in Zulu. We take a look at the wide-open expanse of an African savannah before slowly honing in on herds of animals moving towards a single spot: Pride Rock. There we find Mufasa (James Earl Jones) and Sarabi (Madge Sinclair) resting with new lion cub Simba (Jonathan Taylor Thomas) as trusted allies Zazu the hornbill (Rowan Atkinson) and Rafiki the baboon (Robert Guillaume) arrive to offer their services for what’s to be a…

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REVIEW: Manchester by the Sea [2016]

“I can’t beat it” It’s hard to imagine a Manchester by the Sea directed by Matt Damon and starring John Krasinski, but that was the original plan. They actually brought the idea to Kenneth Lonergan—Damon acted in one of his friend’s plays on stage and also his sophomore film Margaret. Hollywood is tough, though. Schedules fill up and pieces move around. Damon loved the initial draft Lonergan drew up for them so much that he asked him to take over directing duties while he shifted to the lead (perhaps Krasinski…

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REVIEW: Rules Don’t Apply [2016]

“You’re an exception” Eighteen years after Bulworth and fifteen after Town & Country (his last time directing and acting for a feature film respectively), Warren Beatty returns to the big screen with a fictionalized biography of Howard Hughes forty years in the making. It’s a passion project and vanity project: two endeavors worthy of an auspicious return to the spotlight even if the latter isn’t always the best decision for retaining a renowned legacy. Will Rules Don’t Apply taint peoples’ image of him? No. It’s not going to mark any…

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REVIEW: The American Side [2016]

“Weaving spiders come not here” When a film shot in Buffalo, NY co-written and starring a native of the city comes across you’re desk you look upon it with a certain level of skepticism. I’ve lived here almost my entire life and I’m still guilty of seeing my hometown as a B-level sector in comparison to New York City or Hollywood. This year has changed that thought-process for locals and the industry with two effective genre works exiting the Queen City with aspirations for the big time. Against all odds…

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REVIEW: New Year’s Eve [2011]

“Did he just snap me in a maternity ward?” So many questions I never knew I had were answered last night during a packed house screening of New Year’s Eve. A spiritual sequel to last year’s Valentine’s Day, director Garry Marshall, writer Katherine Fugate, and at least three actors playing different characters return. Besides learning the general masses savor broad-stroked comedy when it’s spoon-fed to them, I also discovered trite generic love to be their fantasy dream-come-true of choice. I guess I shouldn’t have been surprised since this film received…

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REVIEW: Tower Heist [2011]

“It seems like there’s a gauntlet of lesbians” Josh Kovacs takes care of his own—it’s his job as the manager of a luxury apartment complex in the heart of New York City. With company policy refusing employees from accepting tips, his workers must treat every resident with the utmost care, compassion, and patience. Josh knows every bellhop, cleaning lady, bankrupt squatter, billionaire Wall Street mogul, and septuagenarian lothario within this glass palace and he treats all as family. Just a guy from Astoria, there is something kind and generous to…

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Posterized Propaganda November 2011: Too Many Characters!

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Hark! The holidays are upon us! While that signifies the beginning of what should be the glorious awards season flood of quality work only the lucky few of us attending…

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The 82nd Oscars recap through tweets …

@jaredmobarak • NPH in sequins … i guess that’s something … The 82nd Annual Oscars ceremony begins, yet the hosts are nowhere to be found. Have we gotten to the point now where we need a lead-in for the most assuredly lame/very PC stand-up routine? We need to get the ball rolling for the ball that gets the show rolling? And they wonder why it always goes over its allotted timeslot. So, not only do we have to be introduced to all the lead acting nominees—because anyone watching doesn’t know…

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