REVIEW: Spider-Man: Far From Home [2019]

Please stop saying tingle. **There will obviously be Endgame spoilers.** It’s a post-“blip” world (the word humanity has agreed upon as a stand-in for the five-year period where half of world’s population disappeared at the snap of Thanos’ fingers) and the usual faces are gone. Nick Fury (Samuel L. Jackson) can no longer rely on Steve Rogers’ idealism, Natasha Romanoff’s loyalty, or Tony Stark’s genius as a last line of defense when Earth is challenged with a force the boots on the ground simply cannot handle. Captain Marvel is off…

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REVIEW: Spider-Man: Homecoming [2017]

“Guy in the chair” Here’s an unpopular opinion for you: I enjoyed The Amazing Spider-Man 2. Yes, the one with a blue Jamie Foxx. The only reason I bring it up is to say even I was dreading the proposed villain team-up spin-off and inevitable trilogy capper seemingly arriving at a place wherein Peter Parker’s parents would reveal themselves as being crucial to whatever really happened with that fateful radioactive arachnid. But that doesn’t mean I wanted another reboot. It was bad enough Sony already scrapped one failed attempt at…

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REVIEW: American Storage [2006]

“I maintain it myself” It’s good to have friends in high places, but it’s better to have the chops to warrant their help. This is the life of Andrew Jay Cohen and Brendan O’Brien, production assistants on Anchorman and The 40 Year Old Virgin respectively who used their relationship with Judd Apatow and his troupe of actors to film a short. Using all their money and a three-day shooting schedule, American Storage was born as a witty little comedy about a grown man so temperamental and anxious about the outside…

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REVIEW: This is the End [2013]

“Is the power of Christ compelling me? Is that what’s happening?” Way back in 2007 there was a YouTube trailer for a short film entitled Jay and Seth Versus the Apocalypse that whetted fans’ appetites only to never seen by the public. Time went on, nothing appeared to be happening—which wasn’t necessarily a horrible thing since the trailer wasn’t all that funny—and eventually word came down it was being retooled by the titular Seth Rogen and writing partner Evan Goldberg into their directorial debut This is the End. Now six…

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BNFF12 REVIEW: Moon Point [2012]

“My grandmother doesn’t let me out of the house without coupons” If quirky indie had a handbook, Moon Point would be a film ripped from its pages. Beginning with a handmade credit sequence of cardboard Valentine’s cards with names of the cast and crew a la Napoleon Dynamite‘s geek chic, you know what to expect very early on. And when the opening line deals with the crass recollection of childbirth as though the funniest subject on Earth, perverted ice cream truck drivers, homicidal karaoke contest winners, and the weirdest innkeeper…

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REVIEW: Adventureland [2009]

“James—am I pronouncing that right? James?” Let’s just say that The Daytrippers has just gone to the top of my must-see list of films. After the fun that was Superbad and now the heartfelt homage to summer jobs during college with Adventureland, Greg Mottola is a force to be reckoned with. His handle on ensemble casts is fantastic, getting some great performances, introducing new faces, and making each actor project authenticity. Superbad was written by Seth Rogen and Evan Goldberg, lending it more of a raunchiness and absurdity, basing itself…

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REVIEW: Superbad [2007]

“Yeah, I learned about that in health class” The title says it all. This movie is superbad…ass. You know, in as far as movie standards go, Superbad is not a masterpiece, or even something to speak about with more than a chuckle. With that said, though, I had a great time with this flick. It is tough to be a hard-R without any nudity for a film of its kind these days. The shear abundance of cursing and innuendo make you feel dirty enough. How writers Seth Rogen and Evan…

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