Picking Winners at the 92nd Annual Academy Awards

The 92nd Annual Academy Awards hits airwaves Sunday, February 9th, 2020 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: Let’s face it. The Oscars have been irrelevant from a creative standpoint since … probably forever. The whole thing is a marketing ploy to boost box office numbers and give trailer makers something to put next to names of creative. That’s why theaters re-release nominees. That’s why boutique studios hold wide rollouts until foreign…

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Online Film Critics Society Ballot 2019

Below is my December 26th ballot for the 23rd annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2019 calendar year. Each category is ordered according to my preferential rankings. Group winners were announced on January 6th, 2020 and are labeled in red.

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REVIEW: The Irishman [2019]

It’s what it is. Aging lead Frank Sheeran (Robert De Niro) is approached by two detectives towards the end of Martin Scorsese‘s The Irishman (the cinematic adaptation of Charles Brandt‘s I Heard You Paint Houses as scripted by Steve Zaillian) who let him know he’s the only one left. All the other big-time mafiosos from the Bufalino family and elsewhere had met their demise either from bullet, garrote, or disease (with the rare case of natural causes thrown into the mix). The tactic was to let Frank know that there…

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REVIEW: Silence [2016]

“An army of two” A labor of love twenty-five years in the making, Silence is tailor-made for Martin Scorsese‘s sensibilities as a person and director. Not only does it comment on faith and therefore his personal struggles being someone who contemplated going down the road towards priesthood, it also provides similar subject matter and plot progression to his most famous religion-based drama The Last Temptation of Christ. This epic journey is ostensibly the last temptation of Sebastião Rodrigues (Andrew Garfield), a Jesuit priest striving to cultivate Catholicism in Japan at…

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REVIEW: 旺角卡門 [Wong gok ka moon] [As Tears Go By] [1988]

“I found that glass” Writer/Director Kar Wai Wong hit the scene in 1988 with gangster drama 旺角卡門 [Wong gok ka moon] [As Tears Go By] in a way that many compare to Martin Scorsese‘s debut splash Mean Streets. It’s a gritty look at the streets of Hong Kong populated by men who are nothing without their fearsome reputations. “Guts” are what sustain them, keeping them alive within this cutthroat underground of tough guys bluffing in the hopes loud threats prove enough to stay at the top and crazy psychopaths calling…

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REVIEW: The Gambler [2014]

“I think you’re the kind of guy who likes to lose” I was very surprised to see James Toback‘s name as Executive Producer on The Gambler remake after reading a 2011 editorial explaining how he found out about the project secondhand after it was already announced that William Monahan was adapting his original script for Martin Scorsese. While this shouldn’t be too much of a surprise in a Hollywood where studios give EP credits to anyone they feel a need to appease and have no remorse retooling properties without caring…

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INTERVIEW: Richard Ayoade, cowriter/director of The Double

I didn’t know who Richard Ayoade was until 2010 and boy was it the perfect time to find out. My introduction was courtesy of the brilliant British television show “The IT Crowd” and his fantastically drawn Maurice Moss. I had tried watching the show a couple years previously only to forget about it after the pilot. This time, however, I mainlined the first three series and eagerly awaited the fourth only to see co-star Chris O’Dowd journey to mainstream acclaim with Bridesmaids less than a year later. When would Ayoade’s…

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Top 25 Films of 2013

(short and sweet and to the point; culled from watching 220+ releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Mud directed by Jeff Nichols #24: Pacific Rim directed by Guillermo del Toro #23: The Conjuring directed by James Wan #22: Satellite of Love directed by Will James Moore #21: Una noche [One Night] directed by Lucy Mulloy #20: The Great Gatsby directed by Baz Luhrmann #19: The Spectacular Now directed by James Ponsoldt #18: Blue Jasmine directed by Woody Allen…

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The 86th Oscars recap through tweets …

Welcome to the 86th Annual Academy Awards everyone! If you didn’t watch the festivities that occurred Sunday night at the Dolby Theatre you are probably a lot better off than most of us because it was a very lackluster affair. We all hoped Ellen DeGeneres would bring a fun, smart, witty return to her success with the 79th installment, but the reality ended up being one of the most dull and safe presentations in quite some time. I guess it wasn’t all bad, though, considering the Academy actually got most…

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Top Ten Films of 2013: A year in cinema to write home about

2013 has been a banner year for cinema with a slew of quality pictures that makes you wonder how only nine got enough first place votes to earn an Oscar nomination for Best Picture. Most of my favorites could have filled that elusive tenth spot for some added acclaim—whether having a chance to win or not. I hadn’t even seen a good chunk of these until the calendar flipped to 2014, the sheer amount of winners was too vast. And after only awarding three films a 10/10 rating last year,…

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Picking Winners at the 86th Annual Academy Awards

The Oscars are generally quite boring, since we often know well in advance what is going to win Best Picture, Director, etc. But this year? Not so much. Sure, there are heavy favorites — see below. But it is entirely possible there will be some real surprises. Of course, I could be completely wrong. But if I am, hopefully Bill Altreuter and Jared Mobarak will be right. And away we go … —Chris Best ActorBruce Dern: NebraskaChiwetel Ejiofor: 12 Years a SlaveMatthew McConaughey: Dallas Buyers ClubLeonardo DiCaprio: The Wolf of Wall StreetChristian Bale: American Hustle…

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