REVIEW: Jay and Silent Bob Strike Back [2001]

They don’t deserve their own movie. It’s easy to forget that Jay and Silent Bob Strike Back was supposed to be the View Askewniverse’s final chapter. Writer/director Kevin Smith had finally decided to grow up (a relative term) and leave the foul-mouthed, pot-dealing miscreants he and Jason Mewes brought to life in Clerks (before subsequently popping-up in every film) behind. He even capped the credits with God (Alanis Morrisette) closing the proverbial book after corralling as many familiar faces and stars he could for what proved a self-conscious and self-referential…

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REVIEW: Child’s Play [2019]

Are we having fun now? It’s not everyday a remake gets produced of a currently running franchise, but that’s exactly what’s happened with Child’s Play. While original screenwriter Don Mancini continues to advance the escapades of his version’s murderous doll possessed by a serial killer’s soul (most recently in 2017’s Cult of Chucky with a television show on Syfy arriving in 2020) thanks to the help of Universal Pictures, MGM and United Artists decided to flex their legal retention of ownership in the property by branching off anew. After Mancini…

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REVIEW: Star Wars: The Last Jedi [2017]

No one is ever really gone. If you ever saw a kids show during the Aughts you’ll be familiar with the educational tactic of repeating a message over and over again throughout an episode before repeating that episode each day of the entire week. This was a huge component of “Blue’s Clues” because it was proven to work. There’s no better way to ingrain a theme than by hammering it in until the viewer can no longer ignore it if he/she tried. But while this is an appropriate technique for…

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REVIEW: Brigsby Bear [2017]

“Prophecy is meaningless. Trust only your familial unit.” The best films are those that come out of nowhere and should be viewed as such. Seriously. Stop reading and go see Brigsby Bear yourself because the less you know about it the better. That’s not to say its conceit is a spoiler—its complete shift in perspective and environment occurs barely fifteen minutes in and proves crucial as the impetus for the entire plot—but I was glad I was completely unaware. I read the description about how the film deals with a…

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REVIEW: Elstree 1976 [2016]

“There wasn’t a lot of certainty as to what it would be” Everybody knows Harrison Ford, Mark Hamill, and Carrie Fisher. When Disney bought Lucasfilm from George Lucas and announced they’d be producing a new Star Wars trilogy and spin-off features, everyone knew those three would be back in the fold. Even guys like Peter Mayhew, Anthony Daniels, and Kenny Baker were known commodities to consult if not star underneath the costumes they made famous. But what of the other actors—the nameless, sometimes faceless, and almost always uncredited performers who…

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REVIEW: Star Wars: The Force Awakens [2015]

“There’s still light inside of him” First thing’s first: there’s probably spoilers in this review. Because let’s face it, anything besides me plainly stating that I loved it is construed as a spoiler to a fandom as intense as that of George Lucas‘ Star Wars saga. Will I go into lineages and deaths? No. Does J.J. Abrams, Lawrence Kasdan, and Michael Arndt‘s script seem to care about keeping such things secret in the context of this return adventure? No. But I’ll still leave it for their intuitive and refreshingly blunt…

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REVIEW: Kingsman: The Secret Service [2015]

“It’s a bulldog, innit?” I’m all for Matthew Vaughan continuing to jump from comic book property to comic book property. That’s not to say his debut Layer Cake was bad—on the contrary, I liked it a lot—he’s simply had a very successful run afterwards in the graphic novel realm spanning Stardust, Kick-Ass, and X-Men: First Class. Collaborating with Mark Millar hasn’t hurt either with his latest Kingsman: The Secret Service coming from the Kick-Ass creator’s pen. The pair plus screenwriter Jane Goldman have found a synchronicity for fun, entertaining action…

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