REVIEW: Dreamland [2020]

Except I’m the man in the hat. Eugene’s (Finn Cole) father used to say about their Bismarck home, “This place is cursed.” It didn’t matter that it’s where he and his wife Olivia (Kerry Condon) settled with a bunch of other families to begin building their lives. John Baker simply never thought any good could come from staying. So he left. Olivia and Eugene remained. Dust storm after dust storm swept through that land destroying crops, farms, and hope. The banks subsequently arrived with foreclosure after foreclosure. Olivia Baker eventually…

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Picking Winners at the 92nd Annual Academy Awards

The 92nd Annual Academy Awards hits airwaves Sunday, February 9th, 2020 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: Let’s face it. The Oscars have been irrelevant from a creative standpoint since … probably forever. The whole thing is a marketing ploy to boost box office numbers and give trailer makers something to put next to names of creative. That’s why theaters re-release nominees. That’s why boutique studios hold wide rollouts until foreign…

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Online Film Critics Society Ballot 2019

Below is my December 26th ballot for the 23rd annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2019 calendar year. Each category is ordered according to my preferential rankings. Group winners were announced on January 6th, 2020 and are labeled in red.

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REVIEW: Bombshell [2019]

Praise all tangled up in an insult. The downfall of Roger Ailes is a captivating tale because it shows what can be done without glossing over the difficulty of achieving it. The women at Fox News who came forward to put his decades-long pattern of sexual harassment into the public forum had to weigh the truth and their duty to future generations forced into similar positions against the very real fact that doing so could mean career suicide. They had to search within and find the balance between what they…

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REVIEW: Once Upon a Time … in Hollywood [2019]

Give me sexy, evil Hamlet. It was around midnight between August 8th and 9th, 1969 that Tex Watson, Susan Atkins, and Patricia Krenwinkel arrived at 10050 Cielo Drive in Los Angeles on a mission from their cult leader Charles Manson. They were told to go to that house (a former renter named Terry Melcher once rebuked Manson) and kill everyone inside as gruesomely as possible. By morning five people were dead including a pregnant Sharon Tate (whose husband, director Roman Polanski, was in Europe working on a new film) with…

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REVIEW: Mary Queen of Scots [2018]

Our swords are not just for show. I know nothing of Scottish history. While this means I can’t attest to the veracity of Mary Queen of Scots, however, it doesn’t stop me from wondering about its lukewarm reception. What’s interesting is how the film as adapted by Beau Willimon from John Guy‘s novel Queen of Scots: The True Life of Mary Stuart cares little about history at all. Besides explaining the facts surrounding Mary’s heir (James I) acquiring the crown of England without bloodshed (and consequently continuing a lineage that…

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Picking Winners at the 90th Annual Academy Awards

The 90th Annual Academy Awards hits airwaves Sunday, March 4th, 2018 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: This new look Academy is really starting to pay dividends. The fight for representation might have begun with a focus on the acting categories (there are four POC actors nominated this year out of twenty slots), but it’s expanded much further in a very short period of time. This 90th year of Oscar becomes…

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Online Film Critics Society Ballot 2017

Below is my December 24th ballot for the 21st annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2017 calendar year. Each category is ordered according to my preferential rankings. Group winners are labeled in red. (We were only allowed to vote for one nominee per category this year, but I ranked them all like previous years anyway.)

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REVIEW: I, Tonya [2017]

I mean those bitches didn’t know what hit ’em. You don’t get more American than 1994, a year when O.J. Simpson was arrested in conjunction with the brutal murder of his ex-wife and her friend just five months after Nancy Kerrigan made a stunning recovery to win silver at the Winter Olympics despite having her knee clubbed barely thirty days earlier. The twenty-four hour news cycle was in its infancy to the point that one could say this year cemented it as the tragedy-driven entertainment enterprise it has become today.…

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REVIEW: Goodbye Christopher Robin [2017]

I’ve had enough of making people laugh. I want to make them see. It begins with a letter—the kind that rips heart from chest. World War II is in full swing and the Milnes (Domhnall Gleeson‘s Alan and Margot Robbie‘s Daphne) are biding their time awaiting word from their son Christopher (Alex Lawther). They know what news arrives as soon as they see the mailwoman riding up their driveway, though. They know their son is gone. War claimed another innocent soul, an inevitability Alan experienced first-hand fighting the fight prematurely…

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REVIEW: Suicide Squad [2016]

“Let’s just say I put him in a hole and threw away the hole” I feel for David Ayer. He seems super jazzed about his work on Suicide Squad with good reason and I’m ecstatic Warner Bros. chose him to lead this ragtag bunch of miscreants with some great outside the box hiring, but the film can’t help feeling like a commodity rather than art. Sadly I think most of DC’s early installments will have their hands tied in much the same way because they’re being asked to do way…

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