REVIEW: A Clockwork Orange [1971]

“No time for the old in-out, love, I’ve just come to read the meter.” It didn’t take long for the theatrical experience to prove essential when watching A Clockwork Orange on the big screen. As Henry Purcell‘s March from “Funeral Music for Queen Mary” plays, the frame is filled with a solid bright orange so massive and enveloping that it pulsates to appear as though it’s spilling past the edges. This goes on for a full thirty seconds before “Warner Bros. A Kinney Company Presents” appears in white and by…

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REVIEW: Easy A [2010]

“The Accelerated Velocity of Terminological Inexactitude” Who knew Huck Finn had such homosexual overtones? And who knew Easy A—a film I now regret not having caught at its TIFF debut three months ago, dismissing it as a low-brow tween comedy—would be such a great film? Director Will Gluck has just cemented himself as a guy whose work I will no longer preconceive as unworthy of my time—yes, I will admit to being mesmerized by the surprising comedic glory of his debut film Fired Up! He and writer Bert V. Royal…

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REVIEW: Halloween II [2009]

“Hit the bricks Dorothy” The second Halloween II—same name, no relation at all, (or so I hear, never saw the other). Rob Zombie seems to have decided that his selling out and doing a Hollywood budgeted horror remake left a little to be desired. So, for his second go-round, he went back to the well and what got him on the shortlist to even direct that first film—creepy carnie mayhem. This film is not good, by any means, yet it does have some really great style and aesthetic. Unfortunately, it…

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FaneXpo 2009: Day One Recap

“What, do I moderate myself?” – James Kyson Lee Oh, the amusement I get from watching grown adults dress up like characters from their favorite anime/movie/game/etc. Surprisingly, I thought there would be more cosplaying, (I learned a new term), but thankfully I wasn’t alone in my lack of imaginative wardrobe. I did however pimp my Thor tee, so give me some credit. What was first a somewhat subdued looking scene—a scattering of people waiting outside lecture rooms for whatever person/screening was about to start—soon became mayhem once entering the actual…

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REVIEW: Doomsday [2008]

“You don’t see that everyday” Forget all the subtle and nuance of mood from Neil Marshall’s taut thriller The Descent; he decided to go all out with the new flick Doomsday. Call it 28 Weeks Beyond Thunderdome if you’d like as Marshall seems to cull all the best aspects of past cinema B-movie greats to create a pastiche that is one helluva ride. With a plot that serves only to give us an excuse for action and borderline comical characters introducing us to the punk-metal cannibal way of life as…

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REVIEW: Halloween [2007]

“He has come back for his baby sister” I love the backlash that has been thrown about since this “re-envisioning” of John Carpenter’s horror classic Halloween was announced. At first I agreed with them, why remake a film that everyone loves? However, I am not the biggest fan of the original, I find it a tad boring, and I have been intrigued by Rob Zombie ever since he tossed aside his rock day job for director threads. I haven’t seen his previous two efforts, but I’ve been wanting to and…

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