REVIEW: I Kill Giants [2018]

We’re stronger than we think. While the main creative force behind I Kill Giants is unquestionably screenwriter Joe Kelly (whose limited comic series of the same name alongside artist J.M. Ken Niimura is the basis for his script), director Anders Walter‘s Oscar-winning short Helium shows he’s hardly a stranger to its subject matter. These two found success through the delicately complex experience had when a child confronts his/her as yet abstract conception of death wherein the infinite expanse of one’s imagination can manifest a path towards understanding. Few people find…

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REVIEW: The Conjuring 2 [2016]

“This is the closest to Hell I ever want to go” When a formula succeeds as well as that of James Wan‘s The Conjuring and its real life subjects have as extensive a Rolodex of haunting investigations as Ed and Lorraine Warren, the prospect of a sequel arrives as both inevitability and an initial pause. Generally these types of projects change creative hands early so studios can rush ahead without worrying about scheduling conflicts, but Wan has never been one to shy away from involvement on subsequent entries to his…

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REVIEW: Trumbo [2015]

“The rich guy wins with the cunning of Satan” I will admit that my interest in the Dalton Trumbo biopic Trumbo was held in check for one reason: director Jay Roach. The guy behind the horrible Meet the Parents saga and uneven Austin Powers series was hired to helm a historical drama with huge political ramifications and a slice of Hollywood’s past many would like to forget? It’s my fault for forgetting that he also helped steward the HBO dramas Recount and Game Change—two other biographies with casts and aesthetics…

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