REVIEW: Blade Runner [1982]

“All those moments will be lost in time like tears in rain” An over-populated Earth circa 2019 uses synthetic androids known as replicants for the hard labor of colonization. Their lifespans are barely four years long, their circuitry prone to fits of amoral aggression. Each subsequent version becomes stronger and smarter, the risk of mutiny forever increasing. So they’ve been outlawed on mankind’s home planet, any violator made subject to a shoot-to-kill order on behalf of the law enforcement wing known as blade runners. Amongst the violent cesspool that is…

Read More

REVIEW: Calvary [2014]

“I’ve always found forgiveness to be underrated” I’m not a religious man—hell, I’m barely agnostic. I’m also not sure if that truth helps my finding John Michael McDonagh‘s Calvary as powerful as I believe it to be or simply evidence of it’s universality for both churchgoers and not. A reflection on faith, God, and ourselves caught within a present where destruction is immensely more prevalent than salvation, this story cannot help but touch you on the basest level of humanity to ask whether or not you can be better. It’s…

Read More

REVIEW: Fletch [1985]

“Jesus H. Christ on a popsicle stick” Being someone who never quite understood the appeal of Chevy Chase until his wonderful return to show business with television’s “Community”, it’s no surprise I never caught up with his more famous role in Fletch. Always finding an off-putting smugness where I was supposed to enjoy deadpan sarcasm, the urge to punch him in the face rather than laugh has lingered over the years. Sure, I enjoyed him in smaller roles like Caddyshack and have fond childhood memories of Funny Farm despite not…

Read More

REVIEW: Blood Simple. [1984]

“I ain’t done nothin’ funny” It took Fargo—thirteen years later—for the Coen Brothers to finally get recognition at the Oscars with three nominations culminating in a win for Best Screenplay. Then it was another eleven before their first Best Picture win. And if you look at that victory with No Country for Old Men alongside their more recently acclaimed A Serious Man, you should force yourself to go all the way back to 1984 for a glimpse at their genetic originator. You can’t help but see the dark noir atmosphere…

Read More

FILM MARATHON: Julia Roberts #4 – My Best Friend’s Wedding [1997]

“This is my whole life’s happiness; I need to be ruthless” Okay, for some reason the opening credit sequence to My Best Friend’s Wedding is sort of brilliant. Showing four women dressed for a wedding, they lip-synch the words to “Wishin’ and Hopin’” (with a version surprisingly sung by Ani Difranco) while performing choreography on a solid pink backdrop. It’s equal parts cute, endearing, and over-the-top, much like the film itself. I’ll admit that my first viewing and impression of the movie was a bit harsh. Watching again, over a…

Read More

REVIEW: Youth in Revolt [2010]

“You sweet angel of the lavatory” Wow, never underestimate the drawing power of Michael Cera. This kid is the most awkward looking and acting actor on the planet, destined to be relegated to one-trick pony status unless he stops letting himself be typecast, but my God does he have comedic appeal. The screening I attended for Youth in Revolt was sold out almost an hour in advance, something unheard of and definitely worthy of mention. You’d think people would be sick of him by now—I know I am—but the glimmer…

Read More

REVIEW: The Jerk [1979]

“I was born a poor black child” It was sheer dumb luck that while reading Steve Martin’s autobiography earlier this year I saw his film The Jerk was being shown on tv. A few months later and the threat of my DVR being erased, I finally took the time to view it. Martin definitely did something special, infusing his stand-up routine into a story of one man’s rise to wealth and subsequent loss of everything. His crazy persona takes center stage right from the start as we meet Navin Johnson,…

Read More