REVIEW: Night at the Museum: Secret of the Tomb [2014]

“They’ll burn up like tiny scarabs in Sinai” It appears director Shawn Levy and new screenwriters David Guion and Michael Handelman have thrown the jokey nature of Thomas Lennon and Robert Ben Garant‘s Battle of the Smithsonian away to bring the Night at the Museum series back to what first made it a success. Secret of the Tomb reminded me a lot of the original installment with a thinly veiled metaphor once again providing the dramatic arc for Larry Daley’s (Ben Stiller) adventure, this time showing a need to say…

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Posterized Propaganda May 2013: Super Sequel Summer with ‘Iron Man,’ ‘Hangover,’ ‘Star Trek,’ ‘Fast & Furious’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. One of these years Alamo Drafthouse has to organize some crazy Mondo Tees sponsored summer where every big tent pole release receives a unique artistic interpretation on paper. They get…

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Posterized Propaganda January 2013: The Top 10 Movie Posters of 2012

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Another year is complete and the time has come to revisit the best one-sheets that did all they could to help their films achieve box office glory. Unsurprising to those…

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REVIEW: Synecdoche, New York [2008]

The end is built into the beginning. We all go about our lives creating a world around us. To us, we are the stars of a film; our surroundings are the set; and the people touching our lives supporting players and/or extras. Philip Seymour Hoffman’s Caden Cotard watches as the plays he directs on-stage succeed and garner praise while the life he lives with wife and daughter falls apart around him. As a God crafting the activities and molding the characterizations of a cast, his own humanity is lost and…

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