Online Film Critics Society Ballot 2018

Below is my December 27th ballot for the 22nd annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2018 calendar year. Each category is ordered according to my preferential rankings. Group winners are labeled in red. (No option to abstain was supplied this year.)

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REVIEW: You Were Never Really Here [2018]

I must do better, sir. An unparalleled exercise in economy, Lynne Ramsay‘s You Were Never Really Here cements her status as a cinematic master. This brutal thriller runs a deliberate yet swift 89-minutes, its central character a man of few words with violence bubbling just beneath a too large heart for the hostile world that’s forced him to retreat within. His job: going places the police can’t to save children in duress. It’s not something overtly explained, but neither are his motivations. Where dialogue might work in text (Ramsey’s script…

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Top 25 Films of 2011

(short and sweet and to the point; culled from watching 150 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Win Win directed by Thomas McCarthy #24: The Adjustment Bureau directed by George Nolfi #23: Super 8 directed by J.J. Abrams #22: Source Code directed by Duncan Jones #21: Weekend directed by Andrew Haigh #20: The Interrupters directed by Steve James #19: Contagion directed by Steven Soderbergh. #18: Senna directed by Asif Kapadia. #17: Santiago 73, post mortem[Post Mortem] directed by…

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REVIEW: We Need to Talk About Kevin [2011]

“He’s a funny little boy, isn’t he? But there’s nothing wrong with him.” Six words coming too late—We Need to Talk About Kevin. For mother Eva Khatchadourian (Tilda Swinton), the sociopathic tendencies of her boy were prevalent since conception. But to her husband Franklin (John C. Reilly) their son was a happy, polite kid living life and getting into trouble like all boys his age do. Driving a wedge between them—a union bred from spontaneity and a lack of planning—Kevin appears to revel in the destruction he wreaks. Only letting…

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