There’s no going back. The year “2012” doesn’t pop-up on-screen at the beginning of Eva Mulvad‘s documentary Love Child because it’s an era-specific story. No well-known international news headline is about to arrive as motivation for why Sahand and Leila fled Iran for the hope of sanctuary far, far away. The real reason for that date is perhaps even more heartbreaking when proven to be a simple case of timeline logistics. This is when the couple’s story starts and we’ll eventually see more demarcations as it continues forward. What they…
Read MoreTIFF19 REVIEW: Love Child [2019]
