REVIEW: The Lobster [2015]

“That is none of your concern” Writer/director Yorgos Lanthimos‘ English language debut The Lobster is a dystopian sci-fi romance depicting a world where Paula Abdul doesn’t exist. If these mechanical creatures devoid of emotion heard her 1988 single “Opposites Attract” their woes of the heart might be eased. I say this because while life is hazardous to your health without someone to share it, Lanthimos’ non-descript City strictly inhabited by couples is impossible to traverse without that someone also sharing your “defining characteristic”. To be a match is to be…

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REVIEW: Spectre [2015]

“You’re a kite dancing in a hurricane, Mr. Bond” Remember that badass organization known as Quantum the deliciously vile Mr. White (Jesper Christensen) ran to terrorize James Bond (Daniel Craig) for two films? How about rogue former 00-program pledge Silva (Javier Bardem) wreaking havoc throughout London due a personal vendetta against MI6? They both made for entertaining villains in this rebooted saga with a grittier Bond—each helping bridge the cheese of its predecessors and the new-look superhero darkness Hollywood had embraced at the start of this century. What reason would…

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REVIEW: Prada: Candy [2013]

“I baked a cake” The message appears to be that Prada will make you irresistible as well as vain enough to yearn for the attention it demands. I guess this means it’s a job well done being that Prada: Candy is a commercial, but as a short film it’s lacking in showing us something other than fun frivolity. It definitely has Wes Anderson‘s visual style and Roman Coppola‘s dry wit, but I don’t think anyone would care if it didn’t involve them. So, in the end, it’s merely a depiction…

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Top Ten Films of 2013: A year in cinema to write home about

2013 has been a banner year for cinema with a slew of quality pictures that makes you wonder how only nine got enough first place votes to earn an Oscar nomination for Best Picture. Most of my favorites could have filled that elusive tenth spot for some added acclaim—whether having a chance to win or not. I hadn’t even seen a good chunk of these until the calendar flipped to 2014, the sheer amount of winners was too vast. And after only awarding three films a 10/10 rating last year,…

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REVIEW: La vie d’Adèle [Blue Is the Warmest Color] [2013]

“Tragedy is the unavoidable” While you wouldn’t usually believe something could possibly become more controversial than its own distinction of being a three-hour NC-17 film about a fifteen-year old girl searching for her sexuality and the resulting love shaping her trajectory towards adulthood, talk during La vie d’Adèle’s [Blue Is the Warmest Color] festival tour proved otherwise. Director Abdellatif Kechiche declared it to have been sullied to the extent where it shouldn’t be released while stars Léa Seydoux and Adèle Exarchopoulos discussed the arduous shoot in a way that made…

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Posterized Propaganda October 2013: The Faces of ‘Gravity,’ ’12 Years a Slave,’ ‘The Counselor’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Not too many movies open up in October—and only one studio horror flick at that, despite Halloween. What’s the best way to sell tickets then? Star power. Celebrity faces are…

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