REVIEW: L [2012]

“From your blood, reckless car drivers!” A bankrupt nation suffering from severe depression that’s ripe for surrealistic cinematic escape, Greece has spawned some wild films lately. Whereas Dogtooth possessed a plot you could dig into as an outsider, however, I’m at somewhat of a loss with Babis Makridis‘ L. There’s definitely a strain of social and economic commentary at play courtesy of an emotionless tone and weirdly stringent views on human interaction, but I’m drowning underneath the artifice with nothing to securely grab hold of save the quirkily dystopian aesthetic.…

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