FANTASIA20 REVIEW: Undergods [2020]

All will be fog. We all like to think we have control—kings of our proverbial castles. It’s all a ruse, though. We’re actually slaves to a system that seems more and more likely to fail with each new day and each new declaration that its imminent demise is a call to arms to save it rather than move on and evolve. That false sense of control is thus a mechanism we use to combat the fear of knowing how little we truly possess. We dream of other men failing so…

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REVIEW: Assassin’s Creed [2016]

“Not everyone deserves to live” The Knights Templar and their numerous myths about secret societies and grand political aspirations have rendered the organization primed for villainous roles in multiple forms of media. One example is Ubisoft’s videogame Assassin’s Creed wherein a violent war has waged for centuries between the Templars’ drive for world domination (peace via control) and the Assassins’ desire to stop them (peace via free will). The series sprinkles in real historical figures and does its best to make it seem as though it could all be true—besides…

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REVIEW: Our Kind of Traitor [2016]

“What am I doing here?” We received two John le Carré adaptations this year, each delivering high production value, effective performances, and somewhat weak plotting. Susanne Bier‘s The Night Manager provides a “hero” between worlds—not a bona fide spy as in A Most Wanted Man or Tinker Tailor Solider Spy, not a regular man at his rope’s end willing to do whatever’s necessary a la The Constant Gardener. Surface appearances presume to be the latter except for the fact he has military training and a penchant for killing despite a…

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REVIEW: Al-Midan [The Square] [2013]

“We were all present; we were one hand” As the initial sit-in at Tahrir Square taught the Egyptian people the power of protest and revolution in securing freedoms they only dreamed they could have, Jehane Noujaim’s Al-Midan [The Square] shares it on an international scale. I’ll admit I thought everything was okay after Hosni Mubarak fled the Presidential Palace. I knew there was still strife, that the Muslim Brotherhood took control through an election process yet still didn’t prove better than the regime they replaced, but I never fathomed how…

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REVIEW: Green Zone [2010]

“Don’t be naïve” Yep, that line above pretty much sums up the film Green Zone to perfection. It is not only used once, sober and matter-of-fact, but a second time as a retort with dry sarcasm. America invaded Iraq with the sole purpose of giving Saddam Hussein the boot and entrenching themselves into the very infrastructure of the country, causing it to not only have a puppet leader, but pretty much put their hand up the backside of the entire nation. At least this is what screenwriter Brian Helgeland would…

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