BIFF19 REVIEW: Frances Ferguson [2019]

Was this breaking the law? We never meet the narrator (Nick Offerman) of Bob Byington‘s film Frances Ferguson. This isn’t necessarily a bad thing or uncommon, but I couldn’t shake the idea that we should. It’s because he isn’t some omnisciently objective voice telling us a story. He interjects opinions, giggles, and often meanders to the point where his subject (Kaley Wheless‘ Frances) must speak up to help him along. In one instance he mentions a “We” as though his (and another’s) entrance on-screen was imminent. It’s not. He means…

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FANTASIA16 REVIEW: Little Sister [2016]

“It took God six days to create the universe. You should be able to get your act together in five.” Saying Zach Clark‘s Little Sister being called a comedy does a disservice to the film seems like a slight on the genre. I know. But I don’t mean it that way. What this label does—even if it’s clarified with the word “dark”—is build an expectation that’s able to hurt the film’s true appeal. Clark and Melodie Sisk‘s script is definitely a drama first: a tough familial drama consisting of broken…

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