REVIEW: She Dies Tomorrow [2020]

I want to be useful in death. Do you feel that? The despair in and anxiety for a future as uncertain as it has ever been with civil unrest, genocide, climate disasters, global pandemics, and the ability to inject each of those horrors into our veins via technological progress that’s systematically hijacked by propagandists, charlatans, and malicious operators with no ambition other than sowing animosity and confusion? The futility in a present torn asunder by rich white men screaming at each other across a political divide while leveraging the lives…

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TIFF19 REVIEW: Synchronic [2020]

The present is a miracle. When two paramedic best friends in New Orleans discovered the first unexplainable injury on their route, they didn’t really think much about it. The second? Well, it was a body. They shouldn’t have even been called. What about the third, though? A snake bite in a hotel room without a snake alongside a disappeared boyfriend? That’s when you start looking for the connective tissue holding everything together besides Steve (Anthony Mackie) and Dennis (Jamie Dornan) having the bad luck to catch them all. That’s when…

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REVIEW: Book Club [2018]

Sex must not be taken off the table. Besides the numerous raunchy one-liners spoken by the central quartet of aging stars for easy laughs, there’s one short passage from Fifty Shades of Grey that’s actually read onscreen. It comes courtesy of Candice Bergen‘s Sharon and deals with the inexplicable decision to arouse Anastasia Steele with the “friction” of Christian Grey’s zipper. The line is a perfect barometer for whether you’re the target audience of E.L. James‘ trilogy or Bill Holderman and Erin Simms‘ romantic comedy utilizing it as a catalyst…

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Posterized Propaganda May 2013: Super Sequel Summer with ‘Iron Man,’ ‘Hangover,’ ‘Star Trek,’ ‘Fast & Furious’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. One of these years Alamo Drafthouse has to organize some crazy Mondo Tees sponsored summer where every big tent pole release receives a unique artistic interpretation on paper. They get…

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