BIFF17 REVIEW: Marshall [2017]

No one will even remember you were here. It’s hard to believe America’s first black Supreme Court Justice hadn’t yet earned the big screen cinematic treatment until now. Besides Thurgood Marshall appearing as a character in a few TV productions (including HBO’s Emmy-nominated one-man play Thurgood starring Lawrence Fishburne) and two movies (The People vs. Larry Flynt possessing the highest profile), this iconic hero who successfully argued Brown v. Board of Education in front of that same Supreme Court was all but invisible. And that ubiquitous 1954 moment interestingly isn’t…

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REVIEW: Big Eyes [2014]

“I’m just a Sunday painter” It’s a paint-off. Literally. Will the winner be the charismatic salesman peddling his wife’s art as his own or the soft-spoken woman slaving away in a turpentine-filled room that’s been dominated and belittled into allowing him to do so? Who will earn the right to say they were the creators of an oeuvre simultaneously thought to be worth thousands of dollars and infinite fame by the general populace and conversely less than the canvas they were painted on by New York Times critic John Canaday…

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REVIEW: Wish I Was Here [2014]

“You’re going to have sex with the swear jar?” It’s impossible to talk about Zach Braff‘s Wish I Was Here without first addressing the elephant in the room: Kickstarter. Whether you’re against his method of crowdsourcing because you believe a celebrity of his stature shouldn’t need extra funding to finance a film or steadfast in the true notion that his fandom actually brought new members to the website who subsequently spent money on other projects, the backstory will play a role in your perception of the finished work. As a…

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The 86th Oscars recap through tweets …

Welcome to the 86th Annual Academy Awards everyone! If you didn’t watch the festivities that occurred Sunday night at the Dolby Theatre you are probably a lot better off than most of us because it was a very lackluster affair. We all hoped Ellen DeGeneres would bring a fun, smart, witty return to her success with the 79th installment, but the reality ended up being one of the most dull and safe presentations in quite some time. I guess it wasn’t all bad, though, considering the Academy actually got most…

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Posterized Propaganda May 2012: Monkeys on a Typewriter

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. This month may be one of the least creative in terms of movie posters ever. Between the laziness, litany of character sheets, and over-used technique, I think I only actually…

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REVIEW: Something Borrowed [2011]

“Don’t Blame Cameron Diaz” I really must have seen a lot of bad films recently because I genuinely enjoyed Something Borrowed. All its romantic comedy tropes, its lame attempts at making the distinct white and black hats into gray, a litany of obvious tells showing who in fact loves and belongs with each other, and even the epilogue to try and smooth out the last remnants of blow-out—I had fun with it all. Maybe I was just in a good mood. Maybe I can’t help myself from being charmed by…

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REVIEW: The Killer Inside Me [2010]

“It’s always lightest just before the dark” Nobody is more across the board genre-wise than director Michael Winterbottom. Who else could traverse the broad canvases of Steve Coogan shenanigans, Guantanamo Bay documentation, the human condition of emotion in the face of terrorism, and an unsimulated meld of sex and rock n’ roll? Shake those sensibilities up with screenwriter John Curran’s penchant for thought-provoking material, (this year’s Stone is much more than the cookie cutter its trailer advertises), and the pulp crime styling of novelist Jim Thompson and you’ll need to…

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REVIEW: Nine [2009]

“Imagination is God’s garden” Being the film version of a Broadway musical based on the Fellini film 8 1/2, it interested me to find out what the title meant. The Italian director’s odd half integer was in regards to the fact that he made a few short films, so the work was its number in his oeuvre. But director Rob Marshall has only made two previous, non-television features, so that comparison is a dead-end. Maybe it has to do with the nine women in lead character Guido’s life? Nope again,…

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