REVIEW: The Hangover Part III [2013]

“Can you take Stu instead?” Love them or hate them, you can’t deny The Hangover and The Hangover Part II pushed the envelope to an extreme. No one anticipated Todd Phillips’ hard-R buddy romp would turn into the phenomenon it did—a hit before its release—and his idea to pretty much remake it in Bangkok for the sequel was an inspired choice for no other reason than it being so uninspired. I loved the first and thought the second’s ability to increase our discomfort level further was just as funny if…

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REVIEW: The Hangover Part II [2011]

“I don’t get it. Is this a magic show?” It’s very weird to go into two films with completely different feelings despite them having almost identical plots and comedic upside. Two years ago, I couldn’t wait to check out The Hangover and see if the hype was real. My contact at Warner Brothers was even compelled to confirm my RSVP for the screening by saying it’s the funniest thing she had seen in years. Somehow—and this is rare—Todd Phillips’s self-proclaimed Star Wars, due to the amount of money he earned…

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REVIEW: The Hangover [2009]

“Couldn’t find a meter, but here’s four bucks” The success of Old School pretty much vaulted Todd Phillips onto the A-list for comedy directors. We waited and waited for his second hit, (I didn’t forget about Road Trip which was good as a precursor to Old School), but only got the mediocre Starsky and Hutch and—what I can only imagine as disappointing—School for Scoundrels. Maybe what Phillips needed was a script from the guys that brought us Four Christmases and Ghosts of Girlfriends Past … wow, this is sounding worse…

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REVIEW: National Treasure: Book of Secrets [2007]

“Oh look, a little golden man” National Treasure: Book of Secrets will always be known as the film that prevented Helen Mirren from meeting Queen Elizabeth after the success of The Queen. I mean really, I would have made the same choice, because this film is truly high art. Don’t get me wrong, I enjoyed the first installment for its poor-man’s Indiana Jones feel mixed with glossy effects and convoluted plot lines (Bruckheimerisms as I like to call them) and for the most part had fun with this one. Well…

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