REVIEW: Valerian and the City of a Thousand Planets [2017]

“We can forgive, but we will never forget” Sci-fi fantasy Valerian and the City of a Thousand Planets is the most expensive European and independent (anywhere) production ever at approximately $200 million dollars—high enough that writer/director/producer Luc Besson pretty much leveraged his distribution shingle EuropaCorp before bringing STX on as a partner to defer costs and get it into theaters. Now questions are floated about whether it can ever turn a profit after “bomb” proved too weak a word to describe its reception by the American box office. The odds…

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Picking Winners at the 87th Annual Academy Awards

Things look pretty cut and dry where the Academy is concerned in 2015. The Oscars are always a somewhat watered-down look at what really mattered in the past year of cinema and this installment is no exception. In fact, it may be all water at this point. That doesn’t mean there can’t be some intriguing surprises in the second-tier categories like Best Animated Feature (I really hope How to Train Your Dragon 2 loses to one of the other much more aesthetically and conceptually unique nominees) or Short Film Animated…

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REVIEW: Jupiter Ascending [2015]

“The problem with astrology … total bullshit” Sometimes filmgoers simply want to be entertained and often don’t mind when the means of that fun skews towards the headier side of things—no matter how implausible, campy, or convenient that direction proves. Jupiter Ascending isn’t trying to sell itself as some grand magnum opus that cures cancer; it’s merely a new space opera from the blockbuster sci-fi duo Wachowski Starship (Andy and Lana). They were commissioned by the studio to write exactly that in the hopes of franchise viability. Do I see…

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