I’m nervous too. It’s not until a conversation about two-thirds of the way through that dissects how problematic the romantic relationships in Woody Allen movies are that I realized writer/director Nikole Beckwith was utilizing the infamous auteur’s signature font Windsor Light Condensed for her title card and chapter interstitials. I should have, though, considering how iconic a typeface it is in the context of cinema and just how impactful Beckwith’s film Together Together is at dismantling the stereotypes inherent to the romantic comedy dichotomy so many male filmmakers inject into…
Read MoreREVIEW: Together Together [2021]
