TIFF18 REVIEW: First Man [2018]

It’s kinda neat The non-controversy surrounding Damien Chazelle‘s First Man shouldn’t surprise anyone who knows how political parties have appropriated art into their agendas since the dawn of time. Of course they’d glom onto the decision to ignore the lunar flag planting as some “un-American” thing rather than read the script, watch the movie, or ask for clarification—options which would have all supplied insight into the reality that Chazelle and screenwriter Josh Singer aren’t telling the story of the moon landing. That goal might be the driving force behind what’s…

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REVIEW: The Post [2017]

Quality drives profitability. Let’s be real: every Steven Spielberg film is a must-see, hype-driving machine. He’s a cinematic giant who rarely chooses a project to direct without extreme enthusiasm and artistic purpose (whether the result proves timeless or not). But no one could be blamed for letting excitement crescendo higher than usual upon hearing about his latest, The Post. Still in the midst of post-production on Ready Player One, Spielberg chose to drop everything while the visual effects artists did their thing to put Liz Hannah‘s script in front of…

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The 88th Oscars recap through tweets …

  The Oscars are today! You know, the awards show where Leonardo DiCaprio is “overdue” but black people can “wait till next year.” — Bette Midler (@BetteMidler) February 28, 2016 Bette Midler‘s tweet hours before the 88th Annual Academy Awards started says it all above. #OscarsSoWhite would and to a point should be the focus of the show because all the chaos that ensued once the nominations revealed a second consecutive year without a non-white acting nod deemed it so. However, the uproar was directed towards the Academy hastily and…

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Picking Winners at the 88th Annual Academy Awards

For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: Here’s hoping Chris Rock does his best Ricky Gervais as far as not caring about political correctness or duty to kissing up to the celebrities all dressed-up nice because having him host the 2016 Oscars ceremony amidst the whole #OscarsSoWhite controversy is an opportunity not to be squandered. Two years in a row with no black actor/actress up for gold? That’s a major problem with The Academy and the…

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REVIEW: Spotlight [2015]

“What arraignment?” If Thomas McCarthy’s maligned fairy tale The Cobbler provided any help in securing money to put his script Spotlight in front of cameras, it was worth every disparaging word thrown its way. Co-written with Josh Singer, this 2013 Blacklist alum proves an informative and accurate look at the investigative journalism process as well as an engrossing exposé that refuses to let go despite our knowing the story it exposed. Much like famed predecessor All the President’s Men, audiences arrive keenly aware of the Catholic Church scandal at its…

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REVIEW: The Fifth Estate [2013]

“Give a man a mask and he’ll tell you the truth” As reporters from The Guardian and The New York Times are shown sifting through hundreds of thousands of leaked documents uploaded to the Wikileaks site by Chelsea Manning (then Bradley) in 2010, the acronym EOF is clearly defined as “Escalation of Force” in a blatant swipe at the US government’s penchant for unnecessary killing in the Middle East. While the term explains what America did wrong, it’s also relevant to the speed at which Bill Condon’s The Fifth Estate…

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