REVIEW: Settlers [2021]

No one’s gonna mess with you, kid. The thing about withholding plot information is that you must generally divulge that which you’ve held back at some point. To simply ignore that your audience is in the dark as far as the big picture is concerned is a sure-fire way to lose interest. Because what’s the point then? What are we really watching if the endgame leaves its characters in the same exact place they were before? I think writer/director Wyatt Rockefeller hopes that his feature debut Settlers will succeed for…

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REVIEW: Funny Face [2021]

Maybe I have to do more. One person’s garbage is another’s treasure … or something like that. And if Tim Sutton‘s Funny Face is any indication, there’s no place in the world who understands those sentiments more than Brooklyn, New York. Whether we’re talking about rundown homes where impoverished families survive being torn down for a shiny new parking lot or a once great basketball team making you wonder if the owners are lifelong fans of its greatest rivals desperately trying to ensure they never make the playoffs again or…

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REVIEW: T2 Trainspotting [2017]

“Friends is just another class of victim” Mark Renton (Ewan McGregor) “chose life” twenty years ago—or what he believed was the best chance at having one at the time. This on-again/off-again heroin junkie had just stolen the sixteen thousand pounds he and three friends (Jonny Lee Miller‘s Simon, Ewen Bremner‘s Spud, and Robert Carlyle‘s Begbie) made in a drug deal somehow gone right. His justification: one of the others would do the same he if didn’t first. Unfortunately for Mark, however, that money only got him a reprieve from the…

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REVIEW: Trainspotting [1996]

“Choose rotting away at the end of it all” There’s an undeniable energy to Danny Boyle‘s Trainspotting, a rush of excitement set to a pulse-pounding rock soundtrack that almost seems the antithesis of what it’s like to fall down into a heroin-fueled dreamy stupor. Even as the characters from Irvine Welsh‘s infamous novel stick themselves with a needle and sink into the floor, Boyle keeps the pedal depressed beyond capacity with inventive visuals and breakneck speed narration. But as you get into the film and move forward with the sometimes…

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REVIEW: Dark Shadows [2012]

“You’ll have to imagine us on a better day” At present, the Tim Burton discussion can be answered in two ways. One: I’ve become too old and jaded to ‘get’ the farcical nature of the auteur’s darkly comic worlds anymore. The satiric tongue-in-cheek tonality he so brilliantly cultivated in grotesque-lite universes either doesn’t have the same effect on me that it did in my youth or just isn’t as good. In that vein comes number Two: Burton has lost a step and now languishes in a perpetual self-parody desperately trying…

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