REVIEW: Churchill [2017]

“I mustn’t let it happen again” I’m far from a history buff. To me Winston Churchill was a pillar of strength that helped take down the Nazis and declare victory for the Allied forces against fascism. I don’t believe that’s an ill-advised description by any means, but it’s definitely a shallow one. Here we are half a century removed from that carnage and our memories are mostly divided into two categories: good and evil. The latter holds the Holocaust, genocide, oppressive regimes, the suspension of freedom, and some of our…

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REVIEW: Spotlight [2015]

“What arraignment?” If Thomas McCarthy’s maligned fairy tale The Cobbler provided any help in securing money to put his script Spotlight in front of cameras, it was worth every disparaging word thrown its way. Co-written with Josh Singer, this 2013 Blacklist alum proves an informative and accurate look at the investigative journalism process as well as an engrossing exposé that refuses to let go despite our knowing the story it exposed. Much like famed predecessor All the President’s Men, audiences arrive keenly aware of the Catholic Church scandal at its…

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REVIEW: Ant-Man [2015]

“Just a tall-tale” You can tell as soon as it happens where the Marvel machine broke Edgar Wright and Joe Cornish, the two guys who had been developing Ant-Man to their singular vision since before the Cinematic Universe’s cohesive arc began. It’s a funny cameo with an Avenger, one where Scott Lang (Paul Rudd) attempts to steal a device that’s supposedly important to burgling the main prize for which Hank Pym (Michael Douglas) recruited him in the first place. Cute, entertaining, and paid off by the second of two brilliantly…

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REVIEW: The Station Agent [2003]

“Would you mind not looking at me right now?” Actor Thomas McCarthy is quite the paradox. The man has a face full of smugness and unchecked attitude, making him ideal for intelligent, arrogant jerks. Maybe jerk is too strong a word since he also has the capacity for remorse, but I do find it apt after just recently seeing him become one of the most amoral characters on the HBO series “The Wire”. What makes him a paradox, however, is his foray into writing and directing. For some reason—perhaps because…

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REVIEW: The Adjustment Bureau [2011]

“It doesn’t matter how you feel, what matters is in black and white” Do we have the capacity for free will? When you look back into the history of mankind, what really stand out are our blunders and tragedies. Nuclear power is created and we drop the bomb; diseases are discovered and cured and we manufacture biological weapons. The laundry list of things done for science, for good, for survival that end up twisting into one more way to inch closer to absolute annihilation is sickening to fathom. Maybe humanity…

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REVIEW: Iron Man 2 [2010]

“We don’t all run on batteries, Tony” The first Iron Man was a breath of fresh air when it came out in 2008. That was the year The Dark Knight showed audiences how morosely ambitious a comic book story could be, as well as arriving after the more serious tales of humanity X-Men and Spider-Man, amongst others, had. Sure there were the couple blips on the radar called Fantastic Four, but those were merely campy and pulpy because the story wasn’t strong enough to be anything else. It was the…

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