REVIEW: Toy Story 4 [2019]

She’ll be okay. It was said upon the release of Toy Story 3 that the franchise was done as far as Woody (Tom Hanks) and Buzz Lightyear’s (Tim Allen) adventures were concerned. These sentiments made sense because it ended nicely on a logical breaking point wherein the boy whose name adorned their feet grew-up and gifted them to a new owner (Bonnie) who promised a warm future of happiness and play. Because simply retiring the characters would be dumb, Pixar decided to branch out into a trio of short comedic…

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REVIEW: Inside Out [2015]

“I call it the Happy Core Memory Development Program” The simplest ideas really are the greatest and Pixar’s made a legacy built on just such an ideal. They brought toys to life as living companions caring for our children. They humanized the monsters in our closets, conjured a spark of love in the circuitry of a tiny robot, and gave an old curmudgeon tired of too much loss the opportunity to rediscover the joy of living. So it wasn’t a surprise when the germination of Inside Out was announced on…

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REVIEW: Wreck-It Ralph [2012]

“Who doesn’t like a brat with dirty hair?” The news that Disney bought Lucasfilm for four billion dollars had me thinking about another of the powerhouse’s key acquisitions—no, not Marvel and its potential for crazy property crossover. To me Mickey and friends’ best move this past decade was ensuring that Pixar Studios and its unparalleled team of creative visionaries would be their in-house animation studio with John Lasseter at its head. Not only would he have the foresight to re-open Walt Disney’s 2-D animation shingle, but he’d also find himself…

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REVIEW: ParaNorman [2012]

“He’s probably up there fiddling with his Wee-Jah or his orbs …” LAIKA, Inc., the little studio with big dreams in Oregon is officially more than a flash in the pan success story that brought to life a critically acclaimed feature film before scaling back to commercials and music videos. Using a beacon in the stop-motion animation world like Henry Selick to adapt and direct Coraline showed the vision to take chances on darker material than most may want to expose their children to and they were rewarded for the…

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REVIEW: Winnie the Pooh [2011]

“I’m a bear with very little brain and long words bother me” Written in the 1920s by A.A. Milne and illustrated by E.H. Shepard, Winnie the Pooh has been a children’s favorite for almost a century now. First adapted to film by Disney in the 60s and last seen in 2005’s Pooh’s Heffalump Movie, it is no surprise to see the Mouse House’s reworked animation department under John Lasseter reboot the franchise. Animated like I remembered it from my own youth, this new story decides to forego the allusion each…

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REVIEW: Cars 2 [2011]

“I vant to siphon your gas” Being that I was not in what appeared to be a vast majority of people who thought Cars was ‘lesser’ Pixar, I can’t say I was too surprised to find I was on the outside of the even bigger group of critics who trashed Cars 2 as a sequel based solely on toy manufacturing profit. Yes, it is totally a cash-grab—I’m not questioning that fact—but alongside this is an attempt to create something the studio has yet to do, an entertaining comedy existing on…

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REVIEW: Toy Story 2 [1999]

“I can’t look. Can someone cover my eyes?” The stigma associated with sequels is that they always attempt to either go bigger or rehash what was already done. Both variations are usually set-ups for failure, sacrificing story for more bells and whistles or boring the audience with a slightly reworked alternate version, a watered down facsimile of the brilliant original. So, after Pixar produced just one other film post-Toy Story—the charmingly entertaining A Bug’s Life—the news that number three would be Toy Story 2 became an opportunity for everyone to…

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REVIEW: Toy Story [1995]

“Ages three and up! It’s on my box!” It’s hard to believe that, with Toy Story 3 coming out soon, it has been fifteen years since the original film. Back in 1995, Toy Story ushered in an animation renaissance for not only Disney, but also the medium as a whole. Pixar Studios had created something that changed the game forever, spawning countless other computer-graphic studios to follow suit and never fully reach the potential consistently exceeded by the Mouse House’s little buddy. Starting as a small-scale studio inside the Lucasfilm…

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The 82nd Oscars recap through tweets …

@jaredmobarak • NPH in sequins … i guess that’s something … The 82nd Annual Oscars ceremony begins, yet the hosts are nowhere to be found. Have we gotten to the point now where we need a lead-in for the most assuredly lame/very PC stand-up routine? We need to get the ball rolling for the ball that gets the show rolling? And they wonder why it always goes over its allotted timeslot. So, not only do we have to be introduced to all the lead acting nominees—because anyone watching doesn’t know…

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REVIEW: Meet the Robinsons [2007]

“Keep moving forward” The greatest compliment I can give the new Disney film Meet the Robinsons is that I never left the story wondering whose voice was lent to each character. Usually the big names come through and you start trying to figure out who is who, leaving the words and the story behind. With this film, besides the fact that I could only recognize the great self-parody from Adam West, we are given a cast of no-names, (not to disrespect Angela Bassett or Laurie Metcalf, but they had five…

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Top 20 Films of 1999

(short and sweet and to the point; culled from watching 71 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #20: Any Given Sunday directed by Oliver Stone #19: The Iron Giant directed by Brad Bird #18: Election directed by Alexander Payne #17: Being John Malkovich directed by Spike Jonze. #16: Stigmata directed byRupert Wainwright #15: Toy Story 2 directed by John Lasseter. #14: Three Kings directed byDavid O. Russell #13: eXistenZ directed byDavid Cronenberg #12: The Boondock Saints directed by Troy…

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