REVIEW: Zeroville [2019]

Your head precedes you. An autistic architecture student at a seminary in Pennsylvania watches his first ever film (A Place in the Sun) and has an experience akin to hearing the voice of God. This new world is opened to Jerome “Vikar” Isaac and he decides he needs to be a part of it. So he travels to Hollywood with the model of a church he constructed under his arm, arriving in this wonderland of magic twenty years too late. The Hollywood of 1970 simply isn’t the same one that…

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TIFF REVIEW: The Lie [2019]

We’re not turning around. All kids grow up. Some parents grow apart. And the ramifications of this combination can have drastic effects. Jealousies might crop up to cause rifts while nostalgia for times long since past try replacing a present of anger and regret. So what is there to do but deal with the pain? When the parents’ relationship devolves into acrimony, the child sees it. He/she will feel it in every fiber of his/her being. Maybe they act out in response to escape the position of diplomatic go-between keeping…

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REVIEW: Wish I Was Here [2014]

“You’re going to have sex with the swear jar?” It’s impossible to talk about Zach Braff‘s Wish I Was Here without first addressing the elephant in the room: Kickstarter. Whether you’re against his method of crowdsourcing because you believe a celebrity of his stature shouldn’t need extra funding to finance a film or steadfast in the true notion that his fandom actually brought new members to the website who subsequently spent money on other projects, the backstory will play a role in your perception of the finished work. As a…

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REVIEW: The Conjuring [2013]

“There’s usually always some rational explanation” After watching the cinematic account of the Perron family’s plight in 1971 during James Wan‘s The Conjuring—alongside a brief view at Annabelle, the creepiest little possessed doll ever—it’s hard to believe paranormal investigators Ed and Lorraine Warren’s most infamous case of demonic insanity was Amityville. Described as the story that couldn’t be told until now via an opening text-based screen crawl reminiscent of the original Texas Chainsaw Massacre, the events that occurred in Roger (Ron Livingston) and Carolyn’s (Lili Taylor) Rhode Island home are…

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REVIEW: White House Down [2013]

“My father is a very special man!” It’s a shame Hollywood blockbuster fare has a contractual obligation for contrived happy endings with unnecessary and unsurprising “twists” because Roland Emmerich‘s newest disaster porn entry White House Down is a legitimate winner until its cheesy finale. There’s actual suspense, authentic humor, and charismatic leads to hook us into its plausible terrorist attack scenario with plenty of action to sustain our interest over its two-hour plus runtime. But just as James Vanderbilt’s script inches towards the finish—and our government protocols are severely tested—cliché…

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REVIEW: Oz the Great and Powerful [2013]

“What’s the third up?” I have to reevaluate my distaste for everything Oz not existing inside the mind of Dorothy Gale now that I’ve discovered Victor Fleming’s seminal work The Wizard of Oz wasn’t as faithful to its source material as I once assumed. I could never ignore how the simple attempt to craft a prequel within a fictitious fantasy world was in direct opposition to what made the original so timeless and important to lost children yearning for more than they have. And then I read how L. Frank…

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