REVIEW: Sword of Trust [2019]

Is this ‘Antiques Roadshow’ for racists? There’s a point in Lynn Shelton‘s Sword of Trust where the four principal characters are being led into a situation with as much chance of ending in their death as it does the payment of forty thousand dollars. Sitting there in that moment of uncertainty without any bearing as to where they were or where they were going, Mel (Marc Maron) can’t help but smile and revel in the fact that he’s about to see something so wild he can’t wrap his head around…

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REVIEW: Rough Night [2017]

“Our kids are going to play together” I wasn’t expecting much out of “Broad City” co-writer/director Lucia Aniello‘s feature length debut Rough Night, but even low expectations run into the possibility of not quite being met. A big part of this stemmed from my anticipation of a dark comedy, one that might have the chops to rival a personal favorite with a similar plot device in Very Bad Things. I wanted to see these bachelorette revelers go to pitch-black places in order to mine uncomfortable laughs rather than lazy gags…

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REVIEW: Fist Fight [2017]

“Never trash talk an English teacher” It’s hard to believe that “It’s Always Sunny in Philadelphia” has been on the air for twelve years now, but it’s still going strong. While the show opened doors for the entire quartet of relative unknowns, Charlie Day has been the one who’s leveraged his rising star into a pretty prolific film career, generally as the confused, manic comic relief. He fills that role on the show too, albeit at a level of imbecilic illiteracy that’s hard to fathom without watching yourself. But in…

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REVIEW: 22 Jump Street [2014]

“Something cool!” I really wished 22 Jump Street‘s one-note joke would sustain. I really did. I even forgave the first thirty minutes lulling me to sleep with cute references to its increased production budget courtesy of its prequel’s surprise financial success like carbon copy beats built bigger and Korean Jesus getting replaced by his Vietnamese brethren. Sadly, however, I knew it never could. The joke’s funny because it’s self-deprecating and true, but at a certain point you must expand beyond “meta”. Dare I say The Hangover Part II was better…

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