REVIEW: Terminator 2: Judgment Day [1991]

“You’re really real” Oh what seven years can accomplish through cinematic technological achievement. While The Terminator still looks good today, Terminator 2: Judgment Day looks amazing. Director James Cameron acknowledges his evolutionary leap by opening the follow-up with a near-replica 2029 Los Angeles prologue as the first to showcase exactly how far forward. These new sentient machines are carbon copies of the old moving with marginal hitching to physically belong next to their human adversaries. Besides the sequences inside cars with flat projections whooshing by (Hollywood still hasn’t perfected this…

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REVIEW: Aliens [1986]

“Game over, man. Game over!” Leave it to über action champion James Cameron to turn a darkly serious sci-fi thriller into a brutally fun romp successful enough to spawn two more sequels and a separate spin-off series that has kept H.R. Giger‘s grotesque xenomorph relevant today. Fresh off the success of Terminator 2, Cameron joined original Alien producers David Giler and Walter Hill to flesh out a new concept that would take the saga into another genre and wider audience appeal. Proving a strong female lead could carry a film…

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REVIEW: Near Dark [1987]

“Normal folks, they don’t spit out bullets when you shoot ’em” Before cult classic Point Break and sci-fi winner Strange Days, Kathryn Bigelow had an 80’s vampire gem called Near Dark. Having heard a lot of good word of mouth on this one, and my love for Days, I needed to check it out. Vampire films have a tendency to become redundant, always following rules and never being creative. Seeing 30 Days of Night add a little something to the genre, it was interesting to see what Bigelow and co-writer…

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