REVIEW: Le daim [Deerskin] [2019]

Meet the beast. This is a mid-life crisis. Strike that. This is a mid-life crisis in a Quentin Dupieux movie. I add that clarifier because most people don’t turn into serial killers when buying a high-priced item or having an affair will suffice. But most people aren’t like Georges (Jean Dujardin)—he does all three. Well, strike that from the record too. We don’t actually know if he’s had an affair. All we know for certain is that his wife never wants to see him again. Withdrawing 7,500 euros from the…

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INTERVIEW: Olivier Nakache, cowriter/codirector of Samba

Olivier Nakache and Eric Toledano‘s (shown above at middle and right with Omar Sy) Intouchables was France’s Oscar hopeful in 2012 and did make the January shortlist. An infectious crowd-pleaser based on a true story, it vaulted Sy into stardom with a César win over The Artist‘s Jean Dujardin and ultimately co-staring roles in Hollywood blockbusters X-Men: Days of Future Past and Jurassic World. It most likely also opened a floodgate of offers for the duo at the helm, but these Frenchmen aren’t interested in bringing someone else’s vision to…

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REVIEW: La French [The Connection] [2014]

“The true force of an untouchable is the silence he imposes on others” While everything out there talking about Cédric Jimenez’s La French [The Connection] takes special care to mention William Friedkin‘s classic The French Connection, the comparisons end at that titular focal point. I’m not talking about quality, though, as this unofficial companion is a very good piece of cinema. It’s just not an action thriller like the American rendition made in the thick of heroin’s 1970s heyday. Instead Jimenez and co-writer Audrey Diwan have crafted a straight mob…

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REVIEW: The Monuments Men [2014]

“Present company expected” There was real potential for George Clooney‘s The Monuments Men to turn into a broad comedy about a hapless band of seven working their way through Europe in search of the stolen masterpieces Adolf Hitler hid away for his own personal collection of greed. It had the hokey score sounding like a vintage WWII newsreel, threatening to show each actor mugging for the camera while looking just beyond the lens with a huge, infectious smile; over-the-top performances straight out of the 50s complete with dated cadence; jokey…

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REVIEW: The Wolf of Wall Street [2013]

“Into the donuts, my boy?” This is the story of an American antihero: a guy born in the Bronx to working class parents who set off for Wall Street to make a name for himself as a stockbroker and rule the world. Jordan Belfort got a good five years or so of the limelight as a result, learning the tricks from Mark Hanna before discovering penny trades cashing out at fifty percent commission could be applied to the whales big firms were targeting for blue chip stocks. He built brokerage…

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The 85th Oscars recap through tweets …

@jaredmobarak • and the #Oscars begin … #[email protected] • SUCCESS!! Tommy Lee Jones smiles! #[email protected] • poor Don Cheadle #Oscars13 Welcome to the 85th annual Academy Awards from the newly renamed Dolby Theatre. Bankruptcy is a drag, ain’t it Kodak? Hopes were high after host Seth MacFarlane‘s surprisingly hilarious Ted made me wonder if the dude wasn’t the real deal after all. A poor man’s Ricky Gervais, the Academy was probably wise in going for the watered-down Americanized version of unbridled snark because one would think the “Family Guy” creator…

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The 84th Oscars recap through tweets …

@jaredmobarak • Shut up Ryan Seacrest … Like the studio isn’t going to reimburse you. Cry about it #Oscars12 And with a little Bisquick, the 84th Annual Academy Awards show began before the camera even entered the Kodak “Chapter 11” Theatre. The is he or isn’t he banned from the show star of The Dictator, Sacha Baron Cohen, did what he does best by getting interviewed in character and causing a scene. Ryan Seacrest appeared to be enjoying the joke of it all and remained quite amiable until the comedian…

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Top Ten Films of 2011: Melancholy with a slice of hope

If anyone tells you 2011 was a bad year for cinema, stop in your tracks, turn around and walk away without ever looking back. They have no idea what they’re talking about. With a wealth of quality films from bonafide auteurs devoid of source material, the sheer amount of original work is astonishing. The trend for remakes will most likely never end, but it’s good to know artists in and out of the Hollywood system are fearlessly treading their own path to make movies exciting again. And by exciting I…

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Picking Winners at the 84th Annual Academy Awards

For the next week and a half, Spree contributor William C. Altreuter, our online film reviewer Jared Mobarak, and me will share our thoughts on who will take home the Oscars. Let’s kick things off with … Best Supporting Actress. —C. S. BEST SUPPORTING ACTRESS:Bérénice Bejo – The Artist as Peppy MillerJessica Chastain – The Help as Celia FooteMelissa McCarthy – Bridesmaids as Megan PriceJanet McTeer – Albert Nobbs as Hubert PageOctavia Spencer – The Help as Minny Jackson Christopher Schobert: Bill, it seems like every time you and I tackle…

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REVIEW: The Artist [2011]

“Farewell Norma. I never loved you.” It all starts with a kiss for the cameras and the dot of an eyeliner pen. From there a star is born in the form of Peppy Miller (Bérénice Bejo) while her accidental impetus to become an actress ends up an industry dinosaur of a bygone era overnight. Silent Hollywood’s finest actor from Kinograph Pictures, George Valetin (Jean Dujardin), wakes one day to find himself at a crossroads of cinematic history with the transition to Talkies forcing him into the background where once only…

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