REVIEW: A Bread Factory, Parts One & Two [2018]

She left him an empty kitchen. My first internship in college was at a local arts museum—unpaid, experiential, and portfolio building. The establishment pretty much had a single full-time position and as artistic director she did pretty much everything from organizing exhibits, hiring community program teachers, stretching a miniscule state-funded and donation-driven budget, and whatever else you could think and not think an institution like this needed. My main job for credit was to design the show postcards and update the website, but being there also meant cleaning, mounting canvases,…

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REVIEW: The American Side [2016]

“Weaving spiders come not here” When a film shot in Buffalo, NY co-written and starring a native of the city comes across you’re desk you look upon it with a certain level of skepticism. I’ve lived here almost my entire life and I’m still guilty of seeing my hometown as a B-level sector in comparison to New York City or Hollywood. This year has changed that thought-process for locals and the industry with two effective genre works exiting the Queen City with aspirations for the big time. Against all odds…

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REVIEW: Stay [2005]

“Your troubles will cease and fortune will smile upon you” **POTENTIAL SPOILERS** I remember my head spinning about Stay after leaving the theatre. Not because David Benioff‘s script or Marc Forster‘s direction proved nuanced enough to shield the “reality” of what’s going on for any authentic surprise, but due to its visceral impact. The Guess Who‘s “These Eyes” cannot play without my recalling the experience of grinding metal and dizzying light accompanying its melody. I bought the DVD the day it released and scoured the extra features to learn about…

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