REVIEW: Rebecca [2020]

I don’t believe in ghosts. Despite David O. Selznick‘s desire to keep his cinematic adaptation of Daphne Du Maurier‘s novel Rebecca as true to the source novel as possible and not alienate its built-in fan base, at least one change was unavoidable en route to passing Hollywood’s “Hayes Code.” Because it concerns a late-arriving revelation that would spoil things, I won’t say what it was. Just know that this seemingly small alteration on paper beneficially reverberates throughout the entirety of what Selznick and director Alfred Hitchcock put onscreen by allowing…

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REVIEW: Kingsman: The Golden Circle [2017]

“There’s no room for emotion in this scenario” When Kingsman: The Secret Service debuted, comparisons to creator Mark Millar‘s other comic book to cinematic adaptation Kick-Ass were obvious. How the latter spun the superhero template, the former spun stylish James Bond-type spy actioners. It was all high-concept insanity with a kid from the wrong side of the tracks proving courage, heroism, and finesse weren’t as much a product of environment as they were personality and the capacity to overcome one’s disadvantages. There was a sweet surrogate father/son dynamic too with…

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TIFF16 REVIEW: The Limehouse Golem [2017]

“Here we go again” It took fifteen years of perseverance—acquiring the rights, losing them, and reacquiring them at the behest of screenwriter Jane Goldman stoking the fire—but producer Stephen Woolley finally got Peter Ackroyd‘s 1994 novel on the big screen as The Limehouse Golem. There were some big names attached from Merchant Ivory originating plans to Woolley hoping for Neil Jordan years before developing it with Terry Gilliam. Don’t let this taint your opinion when peering upon Juan Carlos Medina‘s name on the director’s chair, though. Despite being only his…

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REVIEW: Kingsman: The Secret Service [2015]

“It’s a bulldog, innit?” I’m all for Matthew Vaughan continuing to jump from comic book property to comic book property. That’s not to say his debut Layer Cake was bad—on the contrary, I liked it a lot—he’s simply had a very successful run afterwards in the graphic novel realm spanning Stardust, Kick-Ass, and X-Men: First Class. Collaborating with Mark Millar hasn’t hurt either with his latest Kingsman: The Secret Service coming from the Kick-Ass creator’s pen. The pair plus screenwriter Jane Goldman have found a synchronicity for fun, entertaining action…

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REVIEW: X-Men: Days of Future Past [2014]

“Mind the glass” If you have a storyline at your disposal capable of continuing two separate iterations of a single cinematic franchise simultaneously, you’d be a laughing stock not to take it. Credit Fox for seizing this opportunity to create something not even Marvel proper has dared to do quite yet. Would they have made the attempt had Star Trek not already used time travel in a way that didn’t completely alienate its summer blockbuster movie-going audience? I’d be interested to hear the producers’ thoughts on this because I’m not…

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REVIEW: The Woman in Black [2012]

“It’s just chasing shadows” Is it bad that the first thing to pop in my head after loving the gothic atmosphere of James Watkins‘ The Woman in Black was how boring Susan Hill‘s source novel must be? I can’t stop thinking Anne Rice-type bloat with flowery, dark vocabulary lulling you to sleep before the next big scare occurs. In fact, this is pretty much how I felt watching the movie, even startling awake with a huge jolt by a scream only to see the remaining hand print of condensation on…

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