REVIEW: Selvmordsturisten [Exit Plan] [2019]

Life never stops. Life is forever. Max (Nikolaj Coster-Waldau) is an insurance adjuster who just told his latest client that her claim wouldn’t be approved since her husband’s six-month disappearance isn’t confirmation of death. It’s a revelation that leaves her distressed not because she won’t be getting the money, but because she’ll have to continue living with the possibility he might still be alive. She wishes for a body because it would provide answers. She wishes Max would sign-off on the plan anyway because doing so would supply a legal…

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REVIEW: El abrazo de la serpiente [Embrace of the Serpent] [2015]

“Knowledge belongs to all men” It’s 1909 and the colonists have arrived in Colombia searching for rubber. They kill, enslave, and rape the land of its resources, systematically destroying a way of life at the snap of their fingers to project their own culture, religion, and greed instead. One Amazonian shaman refuses to fall victim to the physical and spiritual slaughter. Karamakate (Nilbio Torres) chooses solitude to preserve all he knows in the midst of invasion. But what of the anaconda that fell from the Milky Way speaking to him…

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Posterized Propaganda June 2014: ‘Snowpiercer,’ ‘The Rover,’ ‘Venus in Fur’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. It’s no surprise a month like June doesn’t possess the best posters for blockbuster releases. No one readying to visit a theater for summer popcorn carnage cares if the advertisement…

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