REVIEW: Bad Hair [2020]

You always have a choice. It’s 1989 and Anna Bludso (Elle Lorraine) still hasn’t straightened her hair thanks to an ill-fated attempt years previously that left her scalp scarred and sensitive to the touch. She asked her cousin Linda (Chanté Adams) to do it then because her idols all had sleek, shoulder length locks and she knew it would give her a leg up on a career path towards DJ/VJ stardom even before landing a job at the urban arm of RMV known as Culture. As an interviewer tells her…

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REVIEW: Jay and Silent Bob Strike Back [2001]

They don’t deserve their own movie. It’s easy to forget that Jay and Silent Bob Strike Back was supposed to be the View Askewniverse’s final chapter. Writer/director Kevin Smith had finally decided to grow up (a relative term) and leave the foul-mouthed, pot-dealing miscreants he and Jason Mewes brought to life in Clerks (before subsequently popping-up in every film) behind. He even capped the credits with God (Alanis Morrisette) closing the proverbial book after corralling as many familiar faces and stars he could for what proved a self-conscious and self-referential…

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REVIEW: Power/Rangers [2015]

“Bullshit is an ugly color on you” I watched “Voltron” growing up so I was never a huge proponent of “Mighty Morphin Power Rangers” when they arrived on the scene. There was always a sense of facsimile in my mind and the goofiness of the whole thing didn’t help recruit me into their legion of diehards. I couldn’t tell you any details of either show now so many years removed, but I will say Joseph Kahn giving the latter a contemporary facelift has me reminiscing about the good and bad…

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REVIEW: The Informers [2008]

“How do you know what’s good and what’s bad?” Author Bret Easton Ellis completely resonates with me. Actually, I’m not sure I can make that statement since I’ve never read a book by him, despite having most on my shelf. Where his characters have affected me is in the films adapted from his work. Every single person he infuses into his sprawling tales of excess and youth culture is devoid of morals, selfish beyond measure, and living life as though the next day will be his last. Between American Psycho…

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REVIEW: The Rules of Attraction [2002]

“You better bring back change; Daddy wants change” After viewing The Rules of Attraction, one can definitely see how Roger Avary and Quentin Tarantino were friends. Upon leaving their jobs as video store clerks, the two went out and did Reservoir Dogs together, before collaborating on Pulp Fiction. Tarantino took all the credit for those two movies, basically striking Avary out of Dogs completely and only giving him story credit for Pulp. With Rules of Attraction, one sees that there was probably more influence on both films. While this adaptation…

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