BIFF19 REVIEW: Buffaloed [2020]

Debt never dies. Leave it to an actual Buffalonian to write a screenplay set in the city without one mention or frame of snow. Only they know what else the Queen City has to offer above cheap jokes about blizzards and cold because they’ve grown up amongst the eccentric characters found in every corner bar or Bills game that can hate the person next to them despite still supplying a high-five if a touchdown is scored. So when Brian Sacca mocks the chicken wing feuds (Anchor Bar or Duffs?), fandom,…

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REVIEW: Alita: Battle Angel [2019]

No one’s greater than the game. This is a film twenty years in the making despite James Cameron being attached from the start. The story goes that Guillermo del Toro introduced the King of Hollywood to Yukito Kishiro‘s manga Gunnm and he fell in love with the book enough to give it permanent placement on his docket. Alita: Battle Angel was first thought to begin production after the demise of Cameron’s television show “Dark Angel” only to have him decide something else was more pressing. Then came the secretive technological…

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REVIEW: The Exception [2017]

“Do your duty” By all accounts Kaiser Wilhelm II was hardly a great leader. He put Germany onto its fateful course towards World War I and shortly after defeat was forced to abdicate the throne into exile at the secluded Netherlands mansion Huis Doorn. Alan Judd would eventually write an historical fiction novel entitled The Kaiser’s Last Kiss about the former crown holder and an incident involving the Nazis, Gestapo, and Hitler’s right-hand Heinrich Himmler—with the potential for redemption. Christopher Plummer would read said book, let his manager know of…

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REVIEW: Suicide Squad [2016]

“Let’s just say I put him in a hole and threw away the hole” I feel for David Ayer. He seems super jazzed about his work on Suicide Squad with good reason and I’m ecstatic Warner Bros. chose him to lead this ragtag bunch of miscreants with some great outside the box hiring, but the film can’t help feeling like a commodity rather than art. Sadly I think most of DC’s early installments will have their hands tied in much the same way because they’re being asked to do way…

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REVIEW: Terminator Genisys [2015]

“If there was another way I would have taken it” Much of the success attributed to “Terminator: The Sarah Connor Chronicles” stems from it using its time travel-centric mythology to erase the franchise’s failures—mainly Terminator 3: Rise of the Machines. You’d think Terminator Salvation would have followed suit, but for whatever reason it held onto that sub-par entry if only through the character of Kate Brewster, otherwise known as Mr. Savior of Humanity John Connor’s wife. The real issue, however, was that it also retained a desire for big theatrics…

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REVIEW: Divergent [2014]

“Faction before blood” Like it or not, the twenty-first century has brought cultural alterations. For instance, the conversation about futuristic dystopias and/or social upheaval no longer includes 1984, Brave New World, or Fahrenheit 451. Our contemporary equivalents are now The Hunger Games, The Maze Runner, and Divergent. They may not be at the same reading level, target the same demographic, or prove as smart and prophetic as the former trio, but that doesn’t mean they aren’t relevant or effective. All except for one thing impossible to ignore: their delivery method.…

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REVIEW: A Good Day to Die Hard [2013]

“I don’t want my life back” While A Good Day to Die Hard may never truly feel like a Die Hard flick, it isn’t for a lack of entertainment. Fans love the idea of John McClane (Bruce Willis) going above and beyond his duties as a policeman to the point of reckless endangerment, destruction of property, and quite possibly clinical insanity because it leads to high octane action and underdog heroics. So used to the formulaic dealings with foreign terrorists on American soil, however, screenwriter Skip Woods decides to throw…

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REVIEW: Jack Reacher [2012]

“Weird to meet you” It appears it was only a matter of time before author Lee Child—or Jim Grant to his parents—saw the sole protagonist of his life’s work on the big screen. Jack Reacher is the type of character audiences adore; one easily catered towards the sequel model paved by Tom Clancy‘s Jack Ryan if and when Tom Cruise finally gives up action flicks. An ex-Army Military Police Major who spent his childhood abroad before a stint at West Point led to thirteen years in the service, he now…

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