REVIEW: Já-Fólkið [Yes-People] [2020]

Life beats us all down eventually. Or, if we’re lucky, it numbs us from caring about the chaos that surrounds us. This is only too true for the inhabitants of three apartments within Gísli Darri Halldórsson‘s short film Já-Fólkið [Yes-People]. Whether it’s the senior couple at a breakfast table daring each other to blink during an impromptu “who’s most annoying” contest or a cheery mother and her morose son getting through teaching clarinet to a novice and staying awake at school respectively or a frustrated middle-aged pair who’ve turned to…

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