REVIEW: Halloween III: Season of the Witch [1982]

They’re fun. They’re frightening. And they glow in the dark. After the insane success of John Carpenter‘s Halloween and the modest follow-through of its sequel Halloween II ($70 million on a $300,000 budget and $25.5 million on a $2.5 million budget respectively), the director readied to leave Haddonfield, Laurie Strode, and their malevolent predator behind. How many times can you bring the same supernatural monster back to life anyway? (Wink, wink.) His idea was to therefore pivot the franchise into an anthology series wherein the generic title/holiday would constitute the…

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REVIEW: The Ward [2010]

“Why am I here?” Considering Michael and Shawn Rasmussen wrote The Ward, I think it is a little misleading to preempt the title with its director’s name. To say it is John Carpenter’s The Ward makes audiences believe they’ve been transported to the heyday of his B-movie magnificence of the 70s and 80s. Back then this auteur was a maestro of genre-fare, reinventing the horror with Halloween and adding his own personal flair to actioners such as Escape from New York. Recently, however, one can’t say he’s been as iconic…

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FILM MARATHON: Julia Roberts #2 – Sleeping with the Enemy [1991]

“The broken lights in the darkness would show the way” Oh, the power of the moustache. That patch of hair can make even the most affable man appear the villain, but when you cue the horror music and light his face so it’s in chiaroscuro, the effect is amplified exponentially. No matter how idyllic director Joseph Ruben attempted to shoot the beginning of Sleeping with the Enemy, you can’t help but see through Martin Burney’s smile and calming tonal speech. Julia Roberts’ Laura might sway your belief in the existence…

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REVIEW: 3:10 to Yuma [2007]

“Even bad men love they mommas” It is interesting how having an Oscar nominated director and actor, along with an Oscar winning actor can make a film garner award season buzz rather than the backlash of being a remake. The stigma of remake usually spells the kiss of death for most films, but it seems almost an afterthought with James Mangold’s 3:10 to Yuma. Based on an Elmore Leonard short story, the original is somewhat highly touted, so it is not as though people don’t know of it to have…

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REVIEW: Halloween [2007]

“He has come back for his baby sister” I love the backlash that has been thrown about since this “re-envisioning” of John Carpenter’s horror classic Halloween was announced. At first I agreed with them, why remake a film that everyone loves? However, I am not the biggest fan of the original, I find it a tad boring, and I have been intrigued by Rob Zombie ever since he tossed aside his rock day job for director threads. I haven’t seen his previous two efforts, but I’ve been wanting to and…

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