REVIEW: John Wick: Chapter 3 – Parabellum [2019]

Rules and consequences. Like the Purge series before it, John Wick is proving to be a money-making franchise that loves to let its mythology gradually unfold in a way that familiarizes via a personal experience prior to zooming out so the systemic issues beyond one man’s home can be revealed. While we still stay with the titular character as played by Keanu Reeves (an assassin that assassins simultaneously fear and revere who did the impossible to get out of the life only to see tragedy—his wife’s untimely death—start a chain…

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REVIEW: Kingsman: The Golden Circle [2017]

“There’s no room for emotion in this scenario” When Kingsman: The Secret Service debuted, comparisons to creator Mark Millar‘s other comic book to cinematic adaptation Kick-Ass were obvious. How the latter spun the superhero template, the former spun stylish James Bond-type spy actioners. It was all high-concept insanity with a kid from the wrong side of the tracks proving courage, heroism, and finesse weren’t as much a product of environment as they were personality and the capacity to overcome one’s disadvantages. There was a sweet surrogate father/son dynamic too with…

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REVIEW: X-Men: The Last Stand [2006]

“Same as the Professor: visiting an old friend.” I’m sad to inform you that X-Men: The Last Stand did not age well. Not that anyone called it great when it was released—it was little more than serviceable then—but boy does it falter when viewed in close proximity with the two stellar entries coming before it. I’d like to blame Bryan Singer for jumping ship to DC so he could helm Superman Returns or even Matthew Vaughn and his family issues preventing him from taking the reins. Heck, I’d love to…

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REVIEW: X-Men 2 [2003]

“Nature laughs last” This is the one—the superhero movie unequaled in the decade since. The Dark Knight comes close, but it’s hard to hold Christopher Nolan‘s trilogy on par with the rest when it exists as a beast all its own. Only The Avengers and Captain America: The Winter Soldier found a way to match its scale and precision, falling ever so short on the emotional depth chart. X-Men 2 is simply a perfect storm of everything you could want in a film let alone one steeped in comic lore.…

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REVIEW: X-Men [2000]

“What do they call you? Wheels?” It’s hard to believe-fourteen years gone-that X-Men was the comic book property used to usher in our current “golden age” of superhero movies. I guess I shouldn’t be surprised considering it’s probably the most relatable due to its being devoid of flying aliens, radioactive spiders, and Gods. No, short of Batman transforming the memory his parents’ murder into the life of a vigilante, mutants are the most “human” creation Marvel or DC has created (at least to someone with barely a cursory knowledge of…

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Posterized Propaganda March 2013: ‘Stoker,’ ‘Place Beyond the Pines,’ ‘Spring Breakers’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. I’m honestly not sure if it is possible to cram more movies in one 31-day period (five Fridays!). Let’s just say the dump month doldrums have ceased and we’ve moved…

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Posterized Propaganda October 2012: Summer Excess and Festival Freshness

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Summer is over and the studios still have a few genre flicks to unload before the arthouse, festival favorites begin rolling out. Oh, and Halloween is here too. The sad…

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TIFF12 REVIEW: Cloud Atlas [2012]

“Our lives are not our own” In grand fashion comes an epic about freedom and the wrongs of humanity forever marring how we’re seen through the annals of time. Every misstep is repeated; every stand against oppression spawned from the voice of one strong enough to understand equality’s worth over the cowardice of blindly hiding behind religious or societal rhetoric. There will always be some faction of life deemed unworthy, dirty, incomplete—some species, race, invention for us to lord our superiority over. And it isn’t about stepping back to gain…

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REVIEW: New Year’s Eve [2011]

“Did he just snap me in a maternity ward?” So many questions I never knew I had were answered last night during a packed house screening of New Year’s Eve. A spiritual sequel to last year’s Valentine’s Day, director Garry Marshall, writer Katherine Fugate, and at least three actors playing different characters return. Besides learning the general masses savor broad-stroked comedy when it’s spoon-fed to them, I also discovered trite generic love to be their fantasy dream-come-true of choice. I guess I shouldn’t have been surprised since this film received…

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The 83rd Oscars recap through tweets …

@jaredmobarak • Oscar time … congrats to The King’s Speech … why bother with the show when everyone thinks they know the winner? The 83rd Annual Academy Awards ceremony was quite possibly its worst incarnation the past decade. And things finally seemed to be going the right way. Hugh Jackman was fun; Steve Martin and Alec Baldwin were lukewarm, but the show was fun; and Neil Patrick Harris is Neil Patrick Harris. NPH can do no wrong. Much in that vein, I thought the pairing of James Franco and Anne…

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Picking Winners at the 83rd Annual Academy Awards

Spree contributing writer William Altreuter, graphic designer Jared Mobarak, and I are going to share our thoughts on this week’s Oscar nominations. Let’s kick things off with a category whose victor—Colin “Mr. Darcy” Firth—seems to have already been agreed upon. — Christopher Schobert Best Actor:Javier Bardem: BiutifulJeff Bridges: True GritJesse Eisenberg: The Social NetworkColin Firth: The King’s SpeechJames Franco: 127 Hours William Altreuter: If the Academy had wanted to make a statement Jim Carrey‘s amazing turn in I Love You Phillip Morris would have found its way onto this list. Wouldn’t that…

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