ANOMALY20 REVIEW: Schlaf [Sleep] [2020]

Am I awake? The nightmares are never-ending for Marlene (Sandra Hüller). One second she’s watching television with her daughter Mona (Gro Swantje Kohlhof) and the next finds her screaming in the dark, desperate to grab hold of a bedside journal with which to draw what she’s seen. It’s a house she can’t recall visiting. It’s a suicide by hanging, a suicide by rifle, and a suicide by blade. Over and over the images flicker upon her eyelids because the drugs offer little reprieve. If not for leafing through an on-board…

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TIFF18 REVIEW: Endzeit [Endzeit – Ever After] [2018]

Go out and bury what haunts you. What if humanity’s apocalypse wasn’t the world’s end? We’ve become so used to treating ourselves as rulers of this planet despite knowing so little about it and the surrounding universe while also doing our best to destroy everything we touch. So what are we truly besides another in a long line of species with no greater hold on Mother Nature than the last? Our demise doesn’t therefore have to be by our own hand and hubris. Perhaps those two things merely place our…

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REVIEW: Tore tanzt [Nothing Bad Can Happen] [2013]

“Sometimes you have to defend yourself” I don’t believe it’s a coincidence that the words “Inspired by true events” only appear onscreen at the end of Tore tanzt [Nothing Bad Can Happen]. The move might be specific to its American release since events as atrocious as those depicted are hardly the type to remain unknown in its home country of Germany before cameras rolled, but boy does reading it pack a punch here. Katrin Gebbe‘s debut is a tough pill to swallow on its own—a story so dedicated to its…

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