Tag: Goon

REVIEW: Goon: Last of the Enforcers [2017]

Jared Mobarak

“What a great lockout” The best part of hockey comedy Goon is its ability to never forget itself. Jay Baruchel and Evan Goldberg didn’t write it (based on Adam Frattasio and Douglas Smith‘s non-fiction book) like your usual sports film where winning or losing was the goal. They instead brought to life a soft-spoken, compassionate guy whose only talent isn’t laying guys out on the ice like his bloodthirsty fans believe. No, Doug Glatt’s (Seann William Scott) calling is as protector for his family, friends, and teammates. He joined the…

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TIFF13 REVIEW: The F Word [2014]

Jared Mobarak

“Love is stupid monkeys dancing in a slapstick hurricane” I’m officially a sucker for romantic comedies where guy meets girl by engaging in sarcastically cynical conversation consisting more of glib quips than substantive information. It’s more than likely because that’s exactly what my girlfriend and I do even to this day and most definitely because I’m a hopeless romantic just like the male leads generally are. There is something absolutely relatable to the awkwardly genuine smiles of two introverts connecting with an acquired humor made funnier by the fact everyone…

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REVIEW: Goon [2012]

Jared Mobarak

“Probably giving some single mother herpes in the parking lot” Written by Jay Baruchel and Evan Goldberg, Goon is their generation’s Slap Shot with Doug Glatt (Seann William Scott) serving as all three Hanson brothers in one. Bearing more in common than a full stomach of bloody fisticuffs, each work also finds itself born from the minor league annals of hockey’s checkered history. Nancy Dowd wrote her 1977 cult classic in part from the stories her brother Ned shared about his experiences in Johnstown, PA while these two Canadian alums…

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Posterized Propaganda March 2012: Gimmicks and Blurs

Jared Mobarak

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. We’ve come to March and still no posters to really write home about. The season of blockbuster tent poles and their litany of character posters begins, proving once more that…

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