TIFF21 REVIEW: Earwig [2021]

Everything is well, sir. Director Lucile Hadzihalilovic explained how she’d rather viewers of her latest film Earwig (co-written by Geoff Cox) go in knowing as little about it as possible. As such, her introduction said little beyond its source material’s mysterious origins (author Brian Catling dreamt of a girl offering him her teeth before writing the novella in one sitting) and her freedom to make her adaptation unique with as many changes as she saw fit. Do I wish she gave more in hindsight now having finished watching? Yes. Very…

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REVIEW: High Life [2019]

What do you know about cruelty? Redemption can be an illusion to so many people. They try so hard to make up for past misdeeds that they often fall prey to even more along the way. That’s what happens when you give your quest a tangible goal—achieving it becomes paramount, the process a means to an ends. If you tell a murderer that they will be forgiven upon saving their victim’s family, who’s to say they wouldn’t simply kill another to do so? If you tell someone that saving humanity’s…

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