REVIEW: Their Finest [2017]

Authenticity, optimism, and a dog. As the Blitz raged and British soldiers continued to pour into Europe to try and push the Germans back, those left at home to take cover during air raids and do their part in factories still needed something to keep morale high when it all looked so futile. One such avenue was the movies currently run out of the Ministry of Information as the government sought to ensure the general public experienced only stories that provided hope. Being that you can only make so many…

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REVIEW: The Voices [2015]

“I know karate” Don’t let the wide-eyed giddiness of Ryan Reynolds‘ Jerry Hickfang fool you. There’s darkness inside him that simply hasn’t yet been coaxed out into the open. It may take a little while to see it in full force so you can truly comprehend what is going on with the Edward Scissorhands-esque bright colors and smiling faces version of warped small town suburbia, but it will be an eye-opening revelation when it does. What this means too is that you need to try and not let Reynolds’ broad…

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Posterized Propaganda October 2013: The Faces of ‘Gravity,’ ’12 Years a Slave,’ ‘The Counselor’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Not too many movies open up in October—and only one studio horror flick at that, despite Halloween. What’s the best way to sell tickets then? Star power. Celebrity faces are…

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Posterized Propaganda June 2013: The Apocalypse is Nigh With ‘Man of Steel,’ ‘World War Z,’ ‘This is the End’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Summer continues chugging along with the America and/or Earth threatened by destruction at every turn. Whether comic book adaptations, zombie wars, terrorist assaults or a giant pit opening up to…

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REVIEW: Hansel & Gretel: Witch Hunters [2013]

“Never enter a house made of candy” The thing that’s so disappointing about Hansel & Gretel: Witch Hunters is the rather ingenious premise at its back. Taking the classic Grimm Brothers tale and expanding on the results of what escaping an evil witch in the woods as children by burning her alive in an oven is so simple and obvious that it’s a wonder no one had thought of it before (not counting The Brothers Grimm). Credit Norwegian writer/director Tommy Wirkola for seeing the potential in transforming these scared kids…

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REVIEW: Wrath of the Titans [2012]

“I will never leave my son” There’s nothing like a little patricide to bring two estranged brothers like Zeus (Liam Neeson) and Hades (Ralph Fiennes together again. It’s what teamed them up to imprison their father Cronus long ago in the underworld prison Tartarus and it’s what will ultimately make them choose sides again while humanity looks on helplessly for a victor. And while Perseus (Sam Worthington) wouldn’t have minded killing his own God of a father in Clash of the Titans, it is his half-brother Ares (Édgar Ramírez) who…

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REVIEW: Clash of the Titans [2010]

“They declared war. War on the Gods.” Going from Luc Besson‘s go-to director to becoming a Hollywood action regular, you can’t blame Louis Leterrier for wanting to tackle the big budget remake of Clash of the Titans. With a predecessor remembered more for its Ray Harryhausen creatures than any lasting artistic quality—I still can’t believe its shoddy effects came after Empire Strikes Back—its subject matter actually seemed ripe for a revisioning. So many genre ‘classics’ have garnered a want for new boatloads of cash, why not a film badly in…

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