REVIEW: Possessor [2020]

Pull me out. We see it all the time in antihero assassin films: the killer with a conscience. How many jobs does it take for the toll to become too much? Where do they draw the line between their professional identity and the private one they share at home with family? Love, companionship, joy—they’re all used as incentives to pull these murderers for hire out of the dark mindset that has consumed them since their days in the military or since the horrible tragedy that marked them during childhood. Hope…

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