Posterized Propaganda August 2014: ‘Guardians of the Galaxy,’ ‘Sin City,’ ‘Starred Up,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. 2014 soldiers on and the poster selection just gets worse. Luckily the films themselves haven’t been as uninspired. Or maybe they have. After all, this summer is down almost 19%…

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REVIEW: 300: Rise of an Empire [2014]

“Fear his freedom!” This is what a copy of a copy looks like. It pretends to be equal to the original—and in some aspects proves to be exactly the same—yet arrives seven years after everything its groundbreaking ancestor provided was expanded and evolved upon. I loved 300 and gave it a perfect score despite some issues because it was so fresh and exhilarating. It showed how the capabilities of cinema could be pushed even further than Frank Miller‘s other adaptation Sin City, breathing life into a dark and gruesome graphic…

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REVIEW: The Wolverine [2013]

“Everything has a meaning” To think, just a few short years ago The Wolverine held infinite promise. Fox brought in Christopher McQuarrie to rekindle his X-Men involvement after uncredited work on pal Bryan Singer’s franchise starter and independent auteur Darren Aronofsky was tapped to finally get a comic book flick after losing out on a Batman: Year One go. Star Hugh Jackman was giddy in interviews about the visual aesthetic a Japanese setting would give—the film culls its material from Chris Claremont and Frank Miller’s Wolverine arc—as well as the…

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Top 50 Films of the Decade (2000–2009)

As always, I have not seen every film made in the decade, so this list is only complete as of posting. There are those diamonds in the rough I’ve yet to witness that could render this entire list obsolete. The ‘Naughts’, I believe an appropriate term being used for the decade spanning from 2000–2009, the years we feared wouldn’t come thanks to Y2K, brought with them some amazing films. Technological advancements aside, this time period contained a number of singular auteurs both continuing on already stellar careers and others beginning…

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REVIEW: The Spirit [2008]

“I have a city as my weapon” There is a lot to like about Frank Miller’s debut as a solo director. The Spirit is shot with a similar style as his last film, Sin City, based upon his own graphic novels, and the imagery is quite stunning at times. I’m not familiar with Will Eisner’s series for which the film is based, but after viewing scenes in stark black and white, with the bright red tie and blindingly white sneaker soles, coupled with the end credits artwork, I have to…

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REVIEW: 300 [2007]

“Sparta!” This is what film was destined to evolve to. After decades of directors making storyboards as reference before filming and the slow building trend to adapt comic book work, we finally have the ultimate fusion of both. Sure Sin City did amazing things with the medium and created frame-by-frame transfers from drawing to celluloid, however, it was still shot as a movie first and foremost. Zack Snyder has done something different with 300; he has created a true work of art. Frank Miller’s story was one steeped in truth…

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