Top 100 Films of the Decade: 2010-2019

If you asked me in 2010 which studios’ films would be amongst my favorites over the next ten years, I probably would have answered two correctly: Fox Searchlight (11) and Sony Pictures Classics (7). Those are two independent shingles of big Hollywood names that have been pumping out quality pictures for decades. Next up would have been The Weinstein Company (5), Warner Bros. (4), Paramount (4), Universal (4), and Sony Pictures (3) because they were cinema. So why are they barely beating those other two combined? Because the game changed.…

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Top Ten Films of 2018

It’s a rare year when your top twenty-five films find the room to allow their usual Oscar-bait dramas to co-exist with foreign favorites, heartfelt documentaries, surreal comedies, and superhero fantasy adventures. Rarer still is a period of time such as 2018 wherein it happens two or three times over. And it’s not just about familiar faces leading the way either as the extensive list of first-time filmmakers who saw their works distributed in theaters nationwide the past twelve months goes a long way towards ensuring cinema has a bright future…

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The 91st Oscars recap through tweets …

What a wild ride this Oscars season has been. After so much recent talk about inclusivity and a changing of the guard, it was bound to happen that we’d receive an awkward period of flux. There’s the young crowd cheering a Marvel Cinematic Universe chapter to the franchise’s first Best Picture nominee and the older sect feeling warm and gooey about a story pretending to talk about racism despite really just glossing over the struggle to say most racists are simply misunderstood until sharing a bucket of KFC with the…

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TIFF18 REVIEW: First Man [2018]

It’s kinda neat The non-controversy surrounding Damien Chazelle‘s First Man shouldn’t surprise anyone who knows how political parties have appropriated art into their agendas since the dawn of time. Of course they’d glom onto the decision to ignore the lunar flag planting as some “un-American” thing rather than read the script, watch the movie, or ask for clarification—options which would have all supplied insight into the reality that Chazelle and screenwriter Josh Singer aren’t telling the story of the moon landing. That goal might be the driving force behind what’s…

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