REVIEW: Avengers: Endgame [2019]

I love you three thousand. The best thing Marvel ever did was split their Avengers 1.0 saga’s final chapter in two since it allowed Infinity War to deliver what no other entry could: stakes. Despite knowing they were always false due to the giant gauntlet in the room that literally bends time and space to its whims, they hurt nonetheless simply because we were forced to sit with those results for a full year before discovering how things might be put right. Had Anthony and Joe Russo conversely fixed everything…

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REVIEW: Captain America: Civil War [2016]

“Victory at the expense of the innocent is no victory at all” We’ve officially approached the apex of the Marvel Cinematic Universe wherein films cannot be about one single character anymore. The Infinity Wars being just around the corner means that time has been regulated. There’s an endgame as there always has been and the pieces must be put into position now. What made The Avengers so great was that its endgame was merely to put Iron Man (Robert Downey Jr.), Captain America (Chris Evans), Black Widow (Scarlett Johansson), and…

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REVIEW: Short Term 12 [2013]

“Oh. That’s the piece of avocado in your beard.” Other films cropping up into your memory while watching something new can either be a sign that originality in cinema is officially dead or the realization you’re about to experience greatness. The latter happened to me during Short Term 12 and I’m talking like ten minutes in after affable veteran Mason (John Gallagher Jr.) finishes telling newbie Nate (Rami Malek) about his second day as a line staff employee at the group home for at-risk teenagers behind them before having to…

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REVIEW: Iron Man 3 [2013]

“How did you get out of the wormhole?” Phase Two of Marvel’s cinematic universe begins with the character that started their astronomically successful multi-narrative platform—Iron Man. And while a line of text following the always-assured post-credits sequence states that “Tony Stark will be back”, the question remains whether or not actor Robert Downey Jr. will be under the helmet. It’s therefore no surprise to see the studio looking to end this trilogy with a bit of arc closure just in case as the progression from a once billionaire playboy to…

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The 85th Oscars recap through tweets …

@jaredmobarak • and the #Oscars begin … #[email protected] • SUCCESS!! Tommy Lee Jones smiles! #[email protected] • poor Don Cheadle #Oscars13 Welcome to the 85th annual Academy Awards from the newly renamed Dolby Theatre. Bankruptcy is a drag, ain’t it Kodak? Hopes were high after host Seth MacFarlane‘s surprisingly hilarious Ted made me wonder if the dude wasn’t the real deal after all. A poor man’s Ricky Gervais, the Academy was probably wise in going for the watered-down Americanized version of unbridled snark because one would think the “Family Guy” creator…

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REVIEW: Flight [2012]

“Say, ‘I love you, Trevor’” I’m going to chalk Flight‘s failure up to Robert Zemeckis being away from live action dramas too long. Manipulation works in children’s cartoons like his The Polar Express and A Christmas Carol because you’re supposed to be preaching some sort of morality lesson on the impressionable through a fun, heartwarming tale. For adults, however, more intrigue than a cool concept left neutered in lieu of showcasing its leading man’s inner turmoil is necessary. Yes, much of the blame lays in the hands of screenwriter John…

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REVIEW: The Guard [2011]

“I’m Irish, sir. Racism is part o’ me culture.” All Sergeant Gerry Boyle wanted was to be left alone. A guard in Connemara, Ireland, he got through his workday by having a pint, rough-housing with the youngins, and stationing himself at the sharpest curve in the road to pickpocket illicit drugs from the kids lying dead from car crashes. Days off mean escapades with his two favorite prostitutes, crime scenes are for enjoyment rather than documentation for actual police work, and his constant bucking of authority is status quo. Gerry…

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REVIEW: Iron Man 2 [2010]

“We don’t all run on batteries, Tony” The first Iron Man was a breath of fresh air when it came out in 2008. That was the year The Dark Knight showed audiences how morosely ambitious a comic book story could be, as well as arriving after the more serious tales of humanity X-Men and Spider-Man, amongst others, had. Sure there were the couple blips on the radar called Fantastic Four, but those were merely campy and pulpy because the story wasn’t strong enough to be anything else. It was the…

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REVIEW: The Hire [2001-2002]

“BMW recommends that you always wear your seatbelt” After watching the Parallel Lines series, my desire to revisit BMW’s The Hire was too much to contain. This thing was a cultural phenomenon, doing what no one had ever done, with a medium still untested at the time. Back in 2001, households across America were still learning about the internet; installing their dial-up connections to surf for mostly news articles and sites without too many images for quick access. Looking to tap into a market that could target its demographic of…

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The Most Anticipated Films of 2010

2010 looks to be a very intriguing year for the film world. A lot of big name directors are coming in with new work, hopefully continuing on their winning ways, while others are returning to perhaps erase some recent blunders and get back on track. There are two true sequels on the list, four depending on your definition, (and Harry Potter isn’t one since I’m not quite sure what to think, being only a Part I of a final chapter), a couple television shows getting big screen love, and a…

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REVIEW: Talk to Me [2007]

“The call letters, y’all” Here is a biopic that knows what it is. Petey Greene, an ex-con with a voice, gets his chance to speak to a city and use his one true gift, the one thing he enjoys and is good at besides being a miscreant. Kasi Lemmons never tries to tell us about Petey or his manager Dewey Hughes’ past history to get them to where we start the film. Besides what they tell each other, the film being shown encompasses the start of what would be a…

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