REVIEW: Tully [2018]

You’re empty. After loving their first collaboration (Juno) and disliking their second (Young Adult), I didn’t know what to expect with director Jason Reitman and writer Diablo Cody‘s third pairing behind the camera. The best I could do was enter the theater unprejudiced and hopeful for the best since I do like most of their work regardless of that mutual misstep. I can’t say Tully initially made it easy, though. Just because Marlo (Charlize Theron) and Drew (Ron Livingston) aren’t the generic rich, white, suburban couple able to afford a…

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Toronto International Film Festival 2014 Preview

We may have two consistent film festivals here in town showcasing small releases and restored classics, but you might not realize how close we are to one of the biggest in the world. Most “in the know” will center on five events when thinking about the best of the best film festivals and while Venice, Cannes, and Berlin are an ocean away and Sundance is across the country, The Toronto International Film Festival is less than a two-hour drive via the QEW into Canada. Even better than proximity, though, is…

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REVIEW: Paradise [2013]

“Why twitter with Satan when you can friend with God?” My first trip to the Toronto International Film Festival had me arriving at the box office with vouchers and no clue about what to see. Ready for anything, my friend and I took a chance on Juno based solely on our enjoying Thank You for Smoking and our intrigue in Ellen Page’s follow up to her fantastic turn in Hard Candy. It was a great choice: funny, fresh, contemporary, and accompanied by a Q&A with director Jason Reitman and first-time…

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REVIEW: Young Adult [2011]

“Mad Love, Buddy” And the award for movie with the worst message for young adults is Young Adult. Bravo Diablo Cody for what appears to be a cathartic foray into justifying arrogance, shallowness, and alcoholism as signs of great artistic talent rather than portraying them as glaring issues needing work, help, and maturity. Kudos for hiding a dark cesspool of angry depressive horrors beneath the sheen of a light-hearted coming home to romance the now married ex-boyfriend comedy and for allowing horrible monsters to become more horrible. Thanks for at…

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TIFF09 RECAP: Connecting to Your World … and mine

Every year at the Toronto International Film Festival seems to get better and better. Is that due to the increase in films from six to eleven to fifteen? It very well might be. And I’ll just say now, watching fifteen films in less than four days may not be the healthiest thing in the world. Between the vendor sausage/chicken dogs/nitrates on a bun being easily accessible and a standard meal when going from one film to the next with barely enough time to catch your breath and the sheer fact…

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TIFF09 REVIEW: Jennifer’s Body [2009]

“I’m a kicker; it says so in my chart” I’ll admit to not being very excited to see Jennifer’s Body on first look. Coming as a fast-tracked script, hot on the heels of Diablo Cody’s successful debut Juno, it just looked rushed, abused, and left for dead. After the production house Fox Atomic folded and dissolved back into its parent, the future did not look bright. However, being a teen horror flick starring Megan Fox had to all but assure it a theatrical release of some sort. And here it…

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TIFF07 REVIEW: Juno [2007]

“It all started with a chair” It’s a good feeling when you can walk out of your very first Toronto Film Festival showing thinking, “Wow, that was great.” The screening was for Juno, the sophomore effort from director Jason Reitman. Let’s just say that the proverbial slump is nowhere to be seen. I enjoyed Thank You For Smoking immensely, however, the ending couldn’t hold the tone he had set up from the start. With Juno, I kept waiting for the same pitfall, but thankfully it never showed face. As Reitman…

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